Concerto for Other Hands

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David dreams of becoming a pianist like his father, José Luis, who believes this is impossible because of his son’s physical condition: short arms, four-fingered hands, and limited hearing. Through perseverance and determination, David proves that he can play in his own way. Together, father and son begin a musical journey that leads to a new challenge for David: premiering the demanding piano concerto that José Luis composed especially for him.

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Main credits

González Díaz, Ernesto (film director)
González Díaz, Ernesto (screenwriter)
González Díaz, Ernesto (film producer)
Ríos Vázquez, Grace (film producer)
González Ladrón de Guevara, David (on-screen participant)
González Moya, José Luis (on-screen participant)

Other credits

Cinematography, Daniel Gama, Rafa Ramírez Ramírez; editing, Ernesto González Díaz, Grace Ríos Vázquez; music, David González Ladrón de Guevara, José Luis González Moya.

MARC Record See Worldcat record

Keywords

Disability,Classical Music,Physical Disabilities,Hearing Impairment,Piano Performance,Inclusion,Classical Performance,Resilience,Mexico,Spanish; "Concerto for Other Hands"; EPF Media; "Concierto Para Otras Manos";

00:00:43.578 --> 00:00:47.999
CONCERTO FOR OTHER HANDS

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David!

00:01:07.643 --> 00:01:09.812
David!

00:01:13.900 --> 00:01:15.401
DAVID!

00:01:16.360 --> 00:01:18.029
Coming!

00:02:51.831 --> 00:02:54.500
Scrambled, scrambled eggs

00:02:59.922 --> 00:03:02.091
It's not a cake.

00:03:05.928 --> 00:03:08.890
I feel bad for people who don't
like ketchup or mayonnaise...

00:03:09.974 --> 00:03:12.143
If they're watching this,
they'll be like...

00:03:13.477 --> 00:03:15.104
Can you please pass some bread?

00:03:21.444 --> 00:03:23.070
But you already have bread.

00:03:23.070 --> 00:03:25.448
Yeah,
but this way the eggs stay warm

00:03:25.448 --> 00:03:27.325
while I eat.

00:04:22.755 --> 00:04:26.884
It's a pleasure to be
with you once again.

00:04:27.385 --> 00:04:30.346
Today, in our show 'Interludio'

00:04:30.346 --> 00:04:32.306
we are honored to welcome

00:04:32.306 --> 00:04:36.519
a distinguished and talented
pianist from Jalisco.

00:04:36.519 --> 00:04:39.981
His name is José
Luis González Moya.

00:05:26.277 --> 00:05:29.322
When I was little,
I remember...

00:05:29.322 --> 00:05:33.743
that I would see my dad playing
the piano and I felt very happy.

00:05:33.743 --> 00:05:37.371
I would think, "I wish I
can play the piano someday."

00:05:37.371 --> 00:05:40.166
And also, why not?
Maybe even play together.

00:05:54.096 --> 00:05:58.017
It's every father's wish,
I guess.

00:05:58.017 --> 00:06:01.187
That one's interests, passions,
what gives you excitement,

00:06:01.187 --> 00:06:03.856
to share it someday
with your son, right?

00:06:06.025 --> 00:06:07.651
It was like...

00:06:09.487 --> 00:06:12.239
being hit where
it hurts the most.

00:06:36.263 --> 00:06:39.141
I was already six or
seven months pregnant,

00:06:39.141 --> 00:06:42.019
when, during an ultrasound,
the doctor told us

00:06:42.019 --> 00:06:46.690
that an arm was
shorter than the other.

00:06:47.316 --> 00:06:50.736
It was a millimetric
difference at that point.

00:06:50.736 --> 00:06:53.572
But, based on his experience,
he told us,

00:06:53.572 --> 00:06:57.535
it was a fact that the
differences were significant.

00:06:57.535 --> 00:07:00.579
There was no doubt.

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Let's see this...

00:07:06.710 --> 00:07:08.462
This one.

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Here, I am expecting David.

00:07:13.008 --> 00:07:17.763
We had some very sad days

00:07:17.763 --> 00:07:20.266
because we didn't know how
our son was going to be born.

00:07:20.266 --> 00:07:22.643
We didn't really know
what was wrong with him.

00:07:22.643 --> 00:07:24.562
We didn't want to tell anyone.

00:07:24.562 --> 00:07:27.273
We wanted to keep
it to ourselves

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until we actually saw him,
after his birth.

00:07:34.613 --> 00:07:38.534
Today is February 1st, 1997.

00:07:38.784 --> 00:07:40.786
How old is David...?

00:07:41.954 --> 00:07:44.957
- One month and a half.
- Wow.

00:07:45.833 --> 00:07:47.960
We can see how strong he is.

00:07:47.960 --> 00:07:49.628
He is doing some exercise.

00:07:56.719 --> 00:08:00.764
I feel just like any
other human being,

00:08:00.764 --> 00:08:05.227
but I obviously know that my
physical traits are different.

00:08:05.227 --> 00:08:08.397
All the same, I am a person.

00:08:09.440 --> 00:08:12.401
And, like any other person,

00:08:12.401 --> 00:08:14.987
I have virtues and flaws.

00:08:14.987 --> 00:08:18.949
But in terms of worth, I believe
all humans have the same worth.

00:08:27.625 --> 00:08:31.587
I always look for
ways to solve things.

00:08:31.587 --> 00:08:35.508
Either I adapt, or I look for an
alternative way of doing things.

00:08:50.272 --> 00:08:52.608
For example, these scissors...

00:08:52.608 --> 00:08:54.568
Oh, again.

00:08:55.277 --> 00:08:56.445
Bloopers!

00:08:57.029 --> 00:09:00.574
For example, these scissors,
when I was in elementary school,

00:09:00.574 --> 00:09:03.202
I used these ones...

00:09:03.202 --> 00:09:05.663
Because, as I said, I can't
extend my hands that much,

00:09:05.663 --> 00:09:07.289
but I would use my left hand

00:09:08.207 --> 00:09:10.668
to squeeze them like this.

00:09:10.960 --> 00:09:16.215
So I adapted this way to
be able to do the tasks.

00:09:17.341 --> 00:09:20.052
I was born with
Miller syndrome,

00:09:20.052 --> 00:09:22.763
which gives me many
different features.

00:09:22.972 --> 00:09:24.473
Among them,

00:09:24.473 --> 00:09:28.936
four toes on each foot,
four fingers on each hand.

00:09:29.103 --> 00:09:31.689
My arms are shorter.

00:09:31.689 --> 00:09:34.858
Here, for instance,
it's a little curved.

00:09:34.858 --> 00:09:37.945
I can't stretch the
fingers of my right hand.

00:09:37.945 --> 00:09:41.323
With my left hand I can
only extend one or two.

00:09:41.907 --> 00:09:46.412
Mobility is very limited.

00:09:47.037 --> 00:09:50.541
To be able to hear,
I need a hearing aid.

00:09:51.875 --> 00:09:54.545
My eyes don't close entirely.

00:09:55.254 --> 00:09:59.842
And in my ears,
the ear canal is very narrow.

00:10:00.175 --> 00:10:03.929
That's why I need
the aid to hear.

00:10:04.221 --> 00:10:07.975
Also, what I hear is not the
same as what other people hear.

00:10:10.728 --> 00:10:12.855
David, say hi to the camera.

00:10:15.357 --> 00:10:18.068
Well, obviously,

00:10:18.068 --> 00:10:21.614
the most visible differences

00:10:21.614 --> 00:10:26.869
are on his face

00:10:27.620 --> 00:10:30.247
and limbs.

00:10:30.247 --> 00:10:34.418
But to me,
as a pianist, it was his hands.

00:10:34.627 --> 00:10:36.629
I mean...

00:10:36.962 --> 00:10:39.965
I would notice his hands.

00:10:41.884 --> 00:10:44.428
To feel his little hands,
his fingers...

00:10:48.974 --> 00:10:52.519
Opa, opa, opa, opa. Opa, baby.

00:10:53.228 --> 00:10:56.273
David's hands...

00:10:56.649 --> 00:11:00.569
I never thought they could
be on a keyboard, on a piano.

00:11:01.362 --> 00:11:03.364
You're a crybaby.

00:11:16.627 --> 00:11:19.088
- Goal!
- No!

00:11:20.047 --> 00:11:21.340
Dybala.

00:11:22.758 --> 00:11:24.385
Two goals,
and I am the visiting team.

00:11:32.518 --> 00:11:34.687
It wasn't valid! Ball out!

00:11:35.062 --> 00:11:37.106
What does the VAR say?

00:11:37.106 --> 00:11:38.649
Let's check it!

00:11:38.691 --> 00:11:40.818
- It wasn't valid.
- It wasn't.

00:11:45.989 --> 00:11:48.033
- Goal!
- Goal!

00:11:49.451 --> 00:11:52.413
It's ok, David, it's ok.

00:11:53.330 --> 00:11:55.582
My team with me.

00:11:56.083 --> 00:11:59.503
Gallo goes in the front. Alexis
and I will stay in defense.

00:11:59.503 --> 00:12:01.088
No, Gallo has to defend.

00:12:01.088 --> 00:12:02.673
Gallo and Alexis
have to defend.

00:12:02.673 --> 00:12:04.425
You two have to
stay in the front.

00:12:04.425 --> 00:12:06.802
I don't want to go into
the water, my friends.

00:12:06.802 --> 00:12:09.847
- Everyone, here.
- Let's win!

00:12:09.847 --> 00:12:12.808
One, two, three, let's win!

00:12:14.101 --> 00:12:16.645
On three. Now! It begins!

00:12:16.687 --> 00:12:18.689
Let's go!

00:12:20.441 --> 00:12:21.567
Oh!

00:12:21.567 --> 00:12:24.111
No way!

00:12:33.162 --> 00:12:35.164
Do you have the percussions?

00:12:39.168 --> 00:12:41.545
- What are you looking for?
- The claves.

00:12:43.797 --> 00:12:44.798
Thanks, dad.

00:12:50.012 --> 00:12:52.014
One, two, three.

00:13:00.773 --> 00:13:03.776
My sister Gigi studied
Music Composition.

00:13:03.776 --> 00:13:08.530
My sister Mariana has
a degree in Violin.

00:13:09.114 --> 00:13:10.479
And I said,

00:13:10.503 --> 00:13:14.620
"I also want to learn to
make music, to play it."

00:13:14.620 --> 00:13:17.498
And to have fun
because I loved it.

00:13:53.909 --> 00:13:56.161
Here is my dad as a youngster.

00:13:59.581 --> 00:14:02.417
My dad in Germany.

00:14:02.417 --> 00:14:04.711
In his van with the piano.

00:14:04.711 --> 00:14:09.466
He would go to his lessons
in Germany, in France.

00:14:09.842 --> 00:14:13.387
He would travel and
practice piano there...

00:14:13.387 --> 00:14:16.265
It's such a cool story.

00:14:16.932 --> 00:14:19.601
Were there already
color photos back then?

00:14:22.604 --> 00:14:25.482
I think this is the same
piano that we have at home.

00:14:25.482 --> 00:14:27.067
It looks a lot like it.

00:14:27.651 --> 00:14:32.614
I think my dad was a
contestant on Chabelo's TV show

00:14:32.614 --> 00:14:36.994
and he won another instrument.

00:14:36.994 --> 00:14:41.582
So they sold it and his dad
helped him to buy this piano.

00:14:43.500 --> 00:14:45.252
Good old Chabelo.

00:14:47.254 --> 00:14:49.256
Ok, but...

00:14:51.049 --> 00:14:53.051
No. Sounds very punchy.

00:14:58.932 --> 00:15:02.519
Ok, it's like...
Your hand must go deeper.

00:15:02.519 --> 00:15:04.730
- Both hands.
- Soft, but...

00:15:06.648 --> 00:15:08.567
Ok.

00:15:09.484 --> 00:15:11.612
When you study piano,

00:15:11.612 --> 00:15:13.280
in a profound way,

00:15:13.280 --> 00:15:15.574
you try to adjust the height

00:15:15.574 --> 00:15:18.744
of the piano bench, so it's
the most favorable to you.

00:15:19.661 --> 00:15:22.039
Your hands must be
in a certain way,

00:15:22.039 --> 00:15:24.249
a certain distance.

00:15:26.084 --> 00:15:30.464
You're so busy planning
that you're not listening.

00:15:30.464 --> 00:15:31.849
Just the wrist or the whole arm?

00:15:31.873 --> 00:15:33.258
Fingertips. With the whole arm.

00:15:33.634 --> 00:15:36.178
When you've worked so many
years on this, you think

00:15:36.178 --> 00:15:39.556
"To play the piano you
need this and that."

00:15:40.682 --> 00:15:42.643
Let's go! Let's go! Let's go!

00:15:55.322 --> 00:15:58.283
Have you heard about
the Fibonacci sequence?

00:15:59.368 --> 00:16:02.871
Fibonacci is a
numeric sequence.

00:16:04.623 --> 00:16:09.836
1+1=2,
1+2=3, 2+3=5 and so it goes.

00:16:09.836 --> 00:16:11.713
Upon a deeper research,

00:16:11.713 --> 00:16:14.956
you find that the Fibonacci
sequence

00:16:14.980 --> 00:16:17.386
is also present in music.

00:16:20.180 --> 00:16:21.181
Look.

00:16:22.557 --> 00:16:24.351
It is Fibonacci.

00:16:24.893 --> 00:16:27.521
C, C sharp, D, D sharp...

00:16:46.164 --> 00:16:47.541
I think about

00:16:47.541 --> 00:16:52.504
the mastermind behind
all of Creation.

00:16:52.504 --> 00:16:54.840
An absolute
mathematical genius.

00:17:18.280 --> 00:17:21.241
We see it, right?
At least I do.

00:17:22.284 --> 00:17:26.788
I am a believer and I see
inspiration in everything.

00:17:26.788 --> 00:17:30.042
Think about all the
imagination He had

00:17:30.042 --> 00:17:32.544
to create all things.

00:17:52.939 --> 00:17:55.901
There is a purpose
behind everything.

00:18:01.073 --> 00:18:03.658
Do you also see the
Fibonacci in yourself?

00:18:03.909 --> 00:18:05.035
Of course.

00:18:05.368 --> 00:18:08.288
A little less balanced,
but yes, I do.

00:18:10.248 --> 00:18:12.292
We all have Fibonacci.

00:18:51.206 --> 00:18:53.458
Hey, hey, Bad Bonnie!

00:18:54.167 --> 00:18:56.044
♪Bad Bonnie, baby... ♪

00:18:57.504 --> 00:18:59.381
This one gets very excited.

00:19:00.048 --> 00:19:02.467
Right? Hey! What are you doing?

00:19:02.509 --> 00:19:04.636
It's very tasty.

00:19:04.678 --> 00:19:06.680
But the whole king cake!

00:19:06.721 --> 00:19:08.682
No, everybody has to
cut their own slice.

00:19:08.849 --> 00:19:10.642
Oh, David.

00:19:10.642 --> 00:19:12.894
She got the baby Jesus!

00:19:14.354 --> 00:19:18.024
My sister and I teach
piano for a living.

00:19:18.049 --> 00:19:19.109
And...

00:19:19.109 --> 00:19:22.904
all of my nephews have come for
lessons since the age of three.

00:19:24.114 --> 00:19:28.743
One day, on a family reunion,

00:19:28.743 --> 00:19:32.205
we gathered at my place and...

00:19:32.831 --> 00:19:35.542
we were saying goodbye when

00:19:35.542 --> 00:19:40.380
my sister-in-law,
Cristy, David's mom, said,

00:19:40.380 --> 00:19:44.718
"When should I bring David
to start his piano lessons?"

00:19:44.801 --> 00:19:46.052
And I...

00:19:46.094 --> 00:19:48.889
I gulped.

00:19:48.889 --> 00:19:54.394
And I said,
"Well, on Tuesday if you want."

00:19:54.394 --> 00:19:57.314
And it was on Tuesday,
I'm not just saying it.

00:19:57.314 --> 00:19:59.482
"Bring him on Tuesday,

00:19:59.482 --> 00:20:02.903
that's when kids his age come."

00:20:03.320 --> 00:20:05.071
He was about three
or four years old.

00:20:06.114 --> 00:20:07.490
I mean...

00:20:08.200 --> 00:20:11.953
I wanted him to come
but at the same time,

00:20:11.953 --> 00:20:17.000
I was afraid that it would
turn counterproductive,

00:20:17.709 --> 00:20:22.839
that it would be frustrating
for David, right?

00:20:23.256 --> 00:20:26.301
But I said, "Well, ok.
Let's see.

00:20:26.301 --> 00:20:28.720
We’ll figure it out on the go."

00:20:31.139 --> 00:20:33.183
What are you doing, David?

00:20:33.183 --> 00:20:35.810
I was going through some
stuff... And found this.

00:20:35.810 --> 00:20:39.105
Do you remember
when you started?

00:20:39.564 --> 00:20:41.191
I think that you...

00:20:41.191 --> 00:20:45.070
used the right hand to
play the D, E, F, G keys.

00:20:45.070 --> 00:20:48.114
And then you would cross
the left hand over.

00:20:49.241 --> 00:20:52.202
And here, you would
continue with the left hand.

00:20:52.786 --> 00:20:54.955
Show me.

00:21:03.213 --> 00:21:04.381
That's right.

00:21:04.381 --> 00:21:07.425
- Should we play it together?
- Yes.

00:21:07.425 --> 00:21:09.344
One, two, three.

00:21:10.220 --> 00:21:12.931
The good thing is that both
of us were open-minded.

00:21:13.348 --> 00:21:16.351
We used to look for a way.

00:21:16.351 --> 00:21:19.854
"How should we do it?"
"Should we try like this?"

00:21:19.854 --> 00:21:24.317
Sometimes the suggestion
was yours, sometimes mine.

00:21:24.317 --> 00:21:25.442
Or if I saw

00:21:25.466 --> 00:21:28.863
that it could be easier
for you in a certain way...

00:21:28.863 --> 00:21:31.992
Then I would say,
"Well, try it like this."

00:21:32.325 --> 00:21:33.451
Good, good.

00:21:34.244 --> 00:21:36.955
Now play the piano,
C, D, E, F, G, A, B.

00:21:37.122 --> 00:21:38.623
Which piano?

00:21:38.665 --> 00:21:40.166
The big one, Daddy's piano.

00:21:41.584 --> 00:21:43.795
- That one?
- Yes!

00:21:46.798 --> 00:21:51.136
C, D, E, F, G, E.

00:21:51.386 --> 00:21:53.888
Alright, again, where is C?

00:21:54.347 --> 00:21:56.599
D, D.

00:21:57.684 --> 00:22:01.703
E, F, G.

00:22:01.728 --> 00:22:02.812
I thought,

00:22:02.836 --> 00:22:05.483
"He can learn some musical
games and little stuff...

00:22:05.984 --> 00:22:08.320
He can play with the
piano for a while."

00:22:09.446 --> 00:22:16.619
But as for actually playing,
he would hit a roadblock.

00:22:20.165 --> 00:22:21.624
Bravo!

00:22:23.376 --> 00:22:25.196
I think that when I was a kid,

00:22:25.221 --> 00:22:27.797
I wasn't as aware
of my limitations.

00:22:27.797 --> 00:22:29.090
So...

00:22:29.090 --> 00:22:31.760
I just tried to play

00:22:31.760 --> 00:22:34.846
the closest way my
aunt told me to.

00:22:34.846 --> 00:22:37.474
I just tried, no matter what.

00:22:41.895 --> 00:22:44.356
Even though I saw...

00:22:44.356 --> 00:22:49.569
for example, my cousin,
she could extend her hands more.

00:22:49.569 --> 00:22:53.114
I thought, "When I grow up,
my hands will grow too

00:22:53.114 --> 00:22:54.783
and I will be able to reach."

00:23:24.229 --> 00:23:26.815
Since my aunt teaches kids,
I thought

00:23:26.815 --> 00:23:29.651
"When I am older,
my dad will teach me.

00:23:29.651 --> 00:23:32.529
Once I'm good at it,
I mean, better."

00:23:52.298 --> 00:23:53.800
Hey.

00:23:53.842 --> 00:23:55.552
One sec, I'm in the bathroom.

00:23:55.552 --> 00:23:58.096
I'm the voice of
your conscience.

00:23:58.430 --> 00:24:01.599
It's late, you have to get up.

00:24:06.396 --> 00:24:09.232
- Huh?
- I'm in the bathroom!

00:24:09.232 --> 00:24:10.942
I figured!

00:24:10.942 --> 00:24:12.799
I'm waiting for you to
have breakfast, c'mon!

00:24:12.824 --> 00:24:14.821
- I won't have breakfast.
- No?

00:24:15.530 --> 00:24:17.740
No. I'll just have a milkshake.

00:24:17.740 --> 00:24:19.492
Intermittent fasting?

00:24:19.492 --> 00:24:21.119
Just a milkshake.

00:24:21.119 --> 00:24:22.454
Alrighty then.

00:24:26.374 --> 00:24:29.544
The grandmother of
one of my students

00:24:29.544 --> 00:24:31.546
is a piano teacher.

00:24:31.546 --> 00:24:33.339
And she...

00:24:34.090 --> 00:24:37.594
knew about a contest,

00:24:37.594 --> 00:24:40.221
an international one,

00:24:40.221 --> 00:24:43.558
for people with disabilities.

00:24:43.558 --> 00:24:46.978
So she asked me if

00:24:46.978 --> 00:24:50.106
we would like David
to participate.

00:24:53.860 --> 00:24:57.903
I told her, "I would,
but I need to ask his parents."

00:24:57.928 --> 00:24:59.369
"How can there be
a piano festival

00:24:59.393 --> 00:25:00.628
for people with disabilities?

00:25:00.653 --> 00:25:02.973
What do they do?
What do they play?"

00:25:04.162 --> 00:25:08.166
I said, "They can't play
what pianists usually play,

00:25:08.166 --> 00:25:09.918
like Chopin, Liszt."

00:25:18.718 --> 00:25:22.055
I will play...

00:25:22.055 --> 00:25:28.019
with my father,
a Mexican potpourri.

00:25:40.031 --> 00:25:42.700
He arranged the piece for me

00:25:42.700 --> 00:25:45.578
and he explained
some things about it.

00:25:45.578 --> 00:25:50.041
And so he started to teach me.

00:25:50.041 --> 00:25:52.043
Little by little,
little by little.

00:25:53.336 --> 00:25:56.005
That also helped me to open
my mind, because I realized

00:25:56.005 --> 00:25:58.007
he's not the only one.

00:25:59.425 --> 00:26:01.427
That's when he
started to let go

00:26:01.427 --> 00:26:03.096
and also, as a composer,

00:26:03.096 --> 00:26:05.807
I thought, "There must be a way

00:26:05.807 --> 00:26:08.768
to give him something
more interesting."

00:26:15.275 --> 00:26:17.902
Hello, friends.
How are you? Good afternoon.

00:26:17.902 --> 00:26:19.431
It's a pleasure to
be with you again.

00:26:19.456 --> 00:26:20.869
As always,
Noé and I are very happy

00:26:20.894 --> 00:26:22.407
to have a new episode on

00:26:22.407 --> 00:26:26.160
"People who transcend and
inspire, transforming together."

00:26:26.160 --> 00:26:30.248
Today, we are joined by David
González Ladrón de Guevara.

00:26:30.248 --> 00:26:33.126
David is a Mexican pianist.

00:26:33.126 --> 00:26:36.671
For those who can't
see us right now,

00:26:36.671 --> 00:26:38.840
was born with the
Miller syndrome.

00:26:39.257 --> 00:26:42.218
We were just talking
about a festival,

00:26:42.218 --> 00:26:45.638
The International Piano Festival
for People with Disabilities.

00:26:45.930 --> 00:26:48.391
Please tell us more about
that experience, David.

00:26:48.391 --> 00:26:50.810
What did it mean to you?
How did you get there?

00:26:51.060 --> 00:26:53.521
The first stage consisted
in sending a video.

00:26:54.022 --> 00:26:58.234
Then, they reached out to us
and told us we were selected,

00:26:58.234 --> 00:27:00.695
and that we had to
go to Vancouver.

00:27:01.613 --> 00:27:06.075
From Mexico,
Mr. David González!

00:27:17.420 --> 00:27:20.256
We passed the first
and second round,

00:27:20.256 --> 00:27:21.883
and we got into the final.

00:27:22.383 --> 00:27:23.551
The warmest welcome

00:27:23.551 --> 00:27:25.386
to our closing
ceremonies tonight.

00:27:27.305 --> 00:27:31.809
Usually, the third place
is announced first,

00:27:31.809 --> 00:27:33.436
then the second place,

00:27:33.436 --> 00:27:35.355
- ...then the first.
- Yes.

00:27:35.355 --> 00:27:40.568
I don't know why, but they
announced the first place first.

00:27:41.110 --> 00:27:42.779
Then the second and the third.

00:27:43.363 --> 00:27:48.117
The organizing committee of
the festival is Japanese.

00:27:48.785 --> 00:27:52.914
Then, speaking English with
their Japanese accent, said...

00:27:53.331 --> 00:27:54.749
The first prize,

00:27:55.124 --> 00:27:56.542
González, David!

00:27:57.919 --> 00:28:00.380
David, step up!

00:28:00.421 --> 00:28:02.924
- I was like, "What? I won?"
- First prize.

00:28:05.802 --> 00:28:07.261
Ladies and gentlemen,

00:28:07.261 --> 00:28:10.807
the winners of the
under-18 competition...

00:28:10.807 --> 00:28:12.934
Thank you very much,
and congratulations!

00:28:59.522 --> 00:29:01.524
When our son David was born,

00:29:01.524 --> 00:29:03.482
I didn't think he would play the
piano,

00:29:03.506 --> 00:29:05.153
given his physical limitations.

00:29:05.153 --> 00:29:08.281
When I saw that David not
only could play the piano but

00:29:08.281 --> 00:29:11.993
showed signs of a great
musical sensitivity,

00:29:11.993 --> 00:29:14.537
I decided to invest time

00:29:14.537 --> 00:29:18.875
and look for things he
could do with his hands.

00:29:21.210 --> 00:29:24.005
There is a difference
between having students

00:29:24.005 --> 00:29:25.840
and having disciples.

00:29:26.048 --> 00:29:29.343
I think a disciple is
someone through whom a master

00:29:29.343 --> 00:29:31.304
extends himself.

00:29:31.721 --> 00:29:35.683
This is only possible with
a great investment of time

00:29:35.683 --> 00:29:38.102
and, above all, love.

00:30:16.974 --> 00:30:20.728
All this ambiance
created by nature

00:30:20.728 --> 00:30:23.815
surely has an influence in
the music of every country.

00:30:30.780 --> 00:30:32.281
Can you hear the last sound?

00:30:32.281 --> 00:30:33.741
Not the last one.

00:30:40.164 --> 00:30:44.126
These insects have their rhythm,
their musical motive.

00:30:44.877 --> 00:30:47.839
And they won't leave that
rhythm and musical motive.

00:30:47.839 --> 00:30:49.715
That means that
they'll sing and play

00:30:49.715 --> 00:30:55.096
or execute the symphony
they were designed for.

00:30:57.640 --> 00:31:00.852
But that doesn't mean they
play the same piece every day.

00:31:02.854 --> 00:31:06.274
We would have to get into
their world. We don't know.

00:31:07.900 --> 00:31:10.862
I think they do change
their repertoire.

00:31:15.283 --> 00:31:18.160
They say that cicadas call
for the rain when they sing.

00:31:41.142 --> 00:31:43.144
Bravo!

00:31:54.196 --> 00:31:55.656
You interrupted the applause.

00:31:55.656 --> 00:31:57.158
I did what?

00:31:57.158 --> 00:31:59.493
He stood there for hours,
not moving.

00:31:59.493 --> 00:32:01.704
So people kept clapping
but out of obligation...

00:32:01.704 --> 00:32:03.539
- No, no, no.
- No.

00:32:03.539 --> 00:32:05.333
They wanted to applaud you

00:32:05.333 --> 00:32:07.627
after the first piece,
and you stopped them.

00:32:08.127 --> 00:32:09.420
Come on, son...

00:32:09.420 --> 00:32:11.964
After the Ode to Joy.
They wanted to applaud, right?

00:32:11.964 --> 00:32:13.674
- Which one?
- The Ode to Joy.

00:32:13.674 --> 00:32:16.177
People wanted to keep clapping.

00:32:16.177 --> 00:32:18.804
And dad started
to move the bench.

00:32:19.931 --> 00:32:21.349
Yes, it was only that one time.

00:32:21.766 --> 00:32:23.309
But it's fine.

00:32:23.309 --> 00:32:26.062
You must take his
side every time.

00:32:26.062 --> 00:32:29.106
- No, I mean it's fine...
- Am I wrong?

00:32:29.398 --> 00:32:31.150
Take it easy, son.

00:32:31.150 --> 00:32:34.445
This is a concert and there
are many pieces in the program.

00:32:34.445 --> 00:32:37.740
People are not going to clap for
ten minutes after the first one.

00:32:37.990 --> 00:32:39.700
Yes, but they wanted to--

00:32:39.700 --> 00:32:41.458
Look, when you learn
more about concerts,

00:32:41.482 --> 00:32:42.620
we talk about this again.

00:32:42.620 --> 00:32:43.906
I'm just saying, don't get mad.

00:32:43.931 --> 00:32:44.945
Right.

00:32:44.970 --> 00:32:46.680
Let's take a photo
with Mr. Sakoda.

00:32:50.336 --> 00:32:52.588
Thank you so much
for coming to Tokyo.

00:32:52.588 --> 00:32:54.507
Thank you for the invitation.

00:32:55.007 --> 00:32:58.636
Do you remember we
met in Vancouver city?

00:32:58.678 --> 00:33:00.680
- In Vancouver, yes.
- Yes!

00:33:00.680 --> 00:33:02.765
Ten years ago.

00:33:03.224 --> 00:33:09.647
You know, in ten years,
each year in Piano Paralympics,

00:33:09.647 --> 00:33:12.108
you grow up so wonderful,

00:33:12.108 --> 00:33:14.610
not only for the body,

00:33:14.610 --> 00:33:16.070
but for music!

00:33:16.070 --> 00:33:18.155
- Thank you.
- Yes.

00:33:18.155 --> 00:33:21.242
This is surprising!

00:33:22.535 --> 00:33:24.328
You have to grow up,

00:33:24.328 --> 00:33:27.206
then you have a responsibility

00:33:27.206 --> 00:33:30.209
for other people. Yes?

00:33:30.209 --> 00:33:32.712
Not only for you. Yes?

00:33:32.712 --> 00:33:35.840
We hope,
Japanese people, hope, yeah...

00:33:35.840 --> 00:33:40.678
you grow up into a
more famous musician.

00:33:40.678 --> 00:33:43.472
Not only in piano,
pianist but...

00:33:43.472 --> 00:33:45.391
musician.

00:33:45.683 --> 00:33:47.685
- Thank you.
- Yes?

00:33:48.060 --> 00:33:49.562
Thank you.

00:33:50.855 --> 00:33:52.023
Oh.

00:33:53.024 --> 00:33:54.442
Tokio Sakoda,

00:33:54.442 --> 00:33:58.446
I believe he is a person with
a great impact in my life,

00:33:58.863 --> 00:34:00.865
because he is

00:34:01.115 --> 00:34:04.076
the main person at
Piano Paralympics and...

00:34:04.326 --> 00:34:07.288
that festival changed my life,
no doubt.

00:34:07.329 --> 00:34:10.846
Because when I won
my first contest and,

00:34:10.870 --> 00:34:13.210
upon winning more prizes,

00:34:13.210 --> 00:34:18.716
I realized that I could devote
myself to music, to piano.

00:35:38.629 --> 00:35:40.631
Coaches...

00:36:06.574 --> 00:36:08.576
David González, four.

00:36:34.018 --> 00:36:37.104
I thought that a concert
for piano and orchestra

00:36:37.104 --> 00:36:41.692
would catapult David, that it
would take him to another level.

00:37:07.384 --> 00:37:08.969
Slow down, don't run.

00:37:09.511 --> 00:37:11.805
- Huh?
- Don't run.

00:37:12.681 --> 00:37:14.808
Don't think my knees are...

00:37:23.234 --> 00:37:29.240
Eh... Echo...

00:37:32.201 --> 00:37:35.704
Who said we had to talk?

00:37:37.456 --> 00:37:41.043
What if we were
originally made to sing?

00:37:42.962 --> 00:37:44.964
Let's sing, then.

00:37:48.092 --> 00:37:52.763
When someone composes a piece,
it's like...

00:37:53.847 --> 00:37:58.102
listening to the surroundings.
Look, look, look!

00:37:58.560 --> 00:38:00.646
Look how beautiful.

00:38:03.983 --> 00:38:05.734
Look at that!

00:39:09.173 --> 00:39:11.258
Let's see,
where do you have the lyrics?

00:39:11.383 --> 00:39:13.344
- Over there, dad.
- Where?

00:39:13.510 --> 00:39:15.012
There. You can see them.

00:39:15.304 --> 00:39:18.057
Oh, there...
Who is gonna see them there?

00:39:18.057 --> 00:39:19.892
- Just zoom in.
- So tiny.

00:39:20.476 --> 00:39:22.602
Alright,
tell me about the lyrics.

00:39:22.626 --> 00:39:24.688
I don't know. I'm thinking.

00:39:32.071 --> 00:39:36.158
- Alright, sir. It's for today.
- I'm on it.

00:39:38.369 --> 00:39:40.662
I'm working on the speech.

00:39:41.038 --> 00:39:45.084
If you want to,
I can record it by myself.

00:39:45.084 --> 00:39:48.295
So it's just me
talking to myself.

00:39:48.379 --> 00:39:51.298
Like a crazy person,
talking to yourself?

00:39:51.298 --> 00:39:52.633
I'm just kidding.

00:39:52.633 --> 00:39:53.842
You want me to go?

00:39:53.842 --> 00:39:55.094
If you want to.

00:39:55.135 --> 00:39:58.931
Just say it.
High five! C'mon, I don't mind.

00:39:59.014 --> 00:40:02.351
I mean, I composed it, not you.

00:40:02.393 --> 00:40:04.770
What will people think?!

00:40:04.770 --> 00:40:06.772
I mean...

00:40:09.441 --> 00:40:11.235
Dang it.

00:40:15.531 --> 00:40:20.661
I'm working on my piece,
"Living the dream".

00:40:20.786 --> 00:40:25.666
I wrote the lyrics as if this
dream had already come true

00:40:25.666 --> 00:40:29.878
but I'm aware that it
is the dream of many.

00:40:29.878 --> 00:40:33.215
"I'm living the dream
I can't believe it...

00:40:33.215 --> 00:40:36.176
I am grateful to God..."

00:40:36.385 --> 00:40:41.807
In the end, it's a dream:
finding a partner and...

00:40:42.975 --> 00:40:46.437
having someone to
share my dreams with,

00:40:47.104 --> 00:40:51.233
my life goals,
and starting a family.

00:41:01.243 --> 00:41:07.124
I have dated very nice
girls and all, but...

00:41:08.041 --> 00:41:10.409
I am still waiting
for the person

00:41:10.433 --> 00:41:12.504
that God has chosen for me.

00:41:13.297 --> 00:41:16.300
Girls, send your resume!

00:41:16.300 --> 00:41:18.010
And that's it.

00:43:37.899 --> 00:43:39.901
- Let's go!
- Let's go!

00:44:00.172 --> 00:44:02.799
Does that give you
a lot of energy?

00:44:02.799 --> 00:44:04.718
- No.
- Huh?

00:44:04.718 --> 00:44:06.428
Is it to play better?

00:44:07.888 --> 00:44:10.140
I'm gonna talk to Edith,

00:44:10.140 --> 00:44:11.642
the woman from the
Degollado Theater,

00:44:11.642 --> 00:44:13.852
to talk about...

00:44:14.561 --> 00:44:16.104
the pending topics.

00:44:16.647 --> 00:44:20.192
Either they get me an
appointment, or you get it,

00:44:20.192 --> 00:44:23.278
to talk with the rigging
team and the administrator.

00:44:23.487 --> 00:44:27.074
I already sent
those two letters.

00:44:28.784 --> 00:44:32.412
Then just check your
email for a reply

00:44:32.412 --> 00:44:34.790
confirming that they got them.

00:44:35.957 --> 00:44:37.917
I need to know by
the end of the week,

00:44:37.942 --> 00:44:40.039
what you'll be wearing, please.

00:44:41.797 --> 00:44:43.674
So that's all about
the 5th for now.

00:44:44.299 --> 00:44:46.051
The 5th of November?

00:44:46.551 --> 00:44:49.888
- Friday November 5th.
- The sacred music program.

00:44:49.888 --> 00:44:52.391
- No, that's on the 10th.
- No.

00:44:52.391 --> 00:44:54.101
On the 5th,
is the Degollado Theater.

00:44:54.101 --> 00:44:55.560
Oh, you're right. Sorry.

00:45:29.803 --> 00:45:31.471
So he is a pianist.

00:45:31.471 --> 00:45:35.267
He is and he has represented
us internationally.

00:45:35.267 --> 00:45:39.354
He has won contests in Tokyo,
Vienna, Canada.

00:45:39.354 --> 00:45:42.190
He has won the
National Youth Award.

00:45:42.691 --> 00:45:45.068
When I was composing
the concert,

00:45:45.068 --> 00:45:49.740
I already knew very well
David's capabilities.

00:45:49.740 --> 00:45:52.617
His mobility and limitations.

00:45:52.617 --> 00:45:56.913
For instance, the right
hand is the most limited.

00:45:57.247 --> 00:46:00.542
At most,
he can play two linked notes

00:46:01.877 --> 00:46:03.962
with the right hand.
He can play...

00:46:04.796 --> 00:46:07.424
Putting two or three
fingers together...

00:46:08.599 --> 00:46:10.719
He can play very strong,
and agile, but like this...

00:46:10.719 --> 00:46:13.597
Like this, right?

00:46:13.597 --> 00:46:16.391
But linked notes, only two.

00:46:19.186 --> 00:46:20.353
Two by two.

00:46:20.353 --> 00:46:24.691
And he can do intervals of two,
three notes.

00:46:25.192 --> 00:46:27.527
A fourth,
an interval of four...

00:46:27.527 --> 00:46:29.780
it's too wide for him
on the right hand.

00:46:30.238 --> 00:46:33.617
The left hand has
more possibilities,

00:46:34.201 --> 00:46:37.245
but it can only
reach up to a sixth.

00:46:37.245 --> 00:46:41.666
So the left hand is the one that
is used more in the composition

00:46:41.666 --> 00:46:45.086
and the right hand gets
two linked notes at most.

00:46:47.422 --> 00:46:50.133
And I know those are my
resources for composing.

00:46:50.509 --> 00:46:52.677
Yes, adjust the hem.
Just a bit.

00:47:02.771 --> 00:47:04.815
The "Piano Concerto
for Eight Fingers"

00:47:04.815 --> 00:47:07.213
was composed by me with the
purpose of challenging David,

00:47:07.238 --> 00:47:08.276
right?

00:47:08.276 --> 00:47:10.445
It's a new challenge for him.

00:47:10.445 --> 00:47:12.614
He has never played
with an orchestra.

00:47:26.294 --> 00:47:28.421
Very good.

00:47:28.421 --> 00:47:31.049
- I think so, right?
- Very nice, yes.

00:47:31.716 --> 00:47:32.884
What else?

00:47:49.234 --> 00:47:50.944
I eat the black ones.

00:47:55.490 --> 00:47:57.993
Paty lives close to
the concert venue.

00:47:57.993 --> 00:47:59.953
She is very close.

00:47:59.953 --> 00:48:01.705
- Right?
- Yes.

00:48:01.997 --> 00:48:03.373
They look tasty.

00:49:02.265 --> 00:49:05.435
Well,
now I brought a mixed box.

00:49:06.519 --> 00:49:10.440
The flavors are crunchy,
natural, cranberry.

00:49:10.815 --> 00:49:12.317
We'll be in touch.

00:49:19.407 --> 00:49:23.411
♪ Scrambled eggs ♪

00:49:26.748 --> 00:49:29.751
All the way down!

00:49:53.566 --> 00:49:56.736
- What's up, David?
- 'Sup, man?

00:49:59.155 --> 00:50:01.741
Oh! You turned off the
alarm and didn't wake up.

00:50:01.825 --> 00:50:03.451
Son.

00:50:03.994 --> 00:50:05.412
Get up, c'mon.

00:50:05.412 --> 00:50:08.331
Can't I be left alone?

00:50:11.960 --> 00:50:15.255
Get up, sir. Time to rehearse.

00:50:35.358 --> 00:50:37.318
Since you can't
hear the clarinet,

00:50:38.445 --> 00:50:40.488
you will have to
follow the cello.

00:50:41.865 --> 00:50:42.991
Okay?

00:50:42.991 --> 00:50:44.412
You'll be following
the conductor,

00:50:44.437 --> 00:50:46.481
but just in case,
listen to the cello.

00:50:52.292 --> 00:50:54.252
You changed the tempo.

00:50:55.795 --> 00:50:57.380
Keep the tempo.

00:50:57.380 --> 00:50:58.423
You know what...

00:50:58.423 --> 00:51:00.759
Go for a walk so you wake up.

00:51:01.509 --> 00:51:02.677
Huh?

00:51:03.303 --> 00:51:05.472
I mean it, son.
Wake up already.

00:51:05.472 --> 00:51:07.724
Don't you wanna move a little,
get some air?

00:51:08.349 --> 00:51:09.768
You're half asleep.

00:51:41.091 --> 00:51:43.093
Both hands.

00:51:45.804 --> 00:51:46.846
There.

00:51:46.971 --> 00:51:48.056
There!

00:51:55.438 --> 00:51:56.606
Hard!

00:51:57.315 --> 00:51:58.358
Hard!

00:51:59.901 --> 00:52:01.194
Good. Again.

00:52:01.194 --> 00:52:03.321
I want you to use
all your strength.

00:52:03.321 --> 00:52:04.656
Hit it hard.

00:52:19.087 --> 00:52:21.005
One, two, three and...

00:52:22.715 --> 00:52:24.050
Loose.

00:52:32.976 --> 00:52:33.977
Very good.

00:52:34.018 --> 00:52:35.228
Let's go already.

00:52:46.489 --> 00:52:49.909
Let's hurry so I can warm up.

00:52:50.368 --> 00:52:53.204
You already have
some time to warm up.

00:52:53.204 --> 00:52:54.497
Okay...

00:53:16.978 --> 00:53:19.230
My finger gets
stuck with the...

00:53:20.231 --> 00:53:22.066
Where does it hurt?

00:53:25.195 --> 00:53:26.279
Down here?

00:53:26.279 --> 00:53:27.947
- Huh?
- Down, here.

00:53:28.907 --> 00:53:31.868
When I play with this finger,
I use this part.

00:53:34.454 --> 00:53:38.875
You see that I do rehearse?
And you say I barely rehearse.

00:53:38.875 --> 00:53:41.836
My fingers are bleeding!

00:54:59.747 --> 00:55:02.041
The first one of three.

00:55:03.626 --> 00:55:05.670
It has been a big challenge...

00:55:05.670 --> 00:55:07.880
this piece that my
father composed for me

00:55:07.880 --> 00:55:10.216
because I can't hear very well.

00:55:10.675 --> 00:55:13.761
Sometimes the sounds get mixed,
combined.

00:55:13.761 --> 00:55:16.264
And I stop hearing
some instruments.

00:55:22.687 --> 00:55:24.439
Come for a second.

00:55:25.773 --> 00:55:28.067
You don't need to put
such a strong accent there

00:55:28.067 --> 00:55:31.529
but it's necessary that you
identify the first count.

00:55:44.000 --> 00:55:45.001
So-so.

00:55:51.924 --> 00:55:53.718
So, do I leave?

00:56:50.358 --> 00:56:52.068
Hello, Ernesto. How are you?

00:56:52.652 --> 00:56:55.780
Hey, they just told us

00:56:55.780 --> 00:56:58.366
that the concert will
have to be postponed.

00:56:58.991 --> 00:57:00.451
Until further notice.

00:57:01.494 --> 00:57:03.663
Because of the lockdown.

00:57:04.664 --> 00:57:06.416
Huh... well...

00:57:06.416 --> 00:57:09.168
Let's hope that this
goes away soon and...

00:57:09.877 --> 00:57:12.255
that we can resume.

00:57:14.549 --> 00:57:16.467
So, let's keep in touch and...

00:57:17.677 --> 00:57:18.803
see you soon.

00:57:24.308 --> 00:57:26.894
ONE YEAR LATER

00:57:38.156 --> 00:57:40.324
- Hey, how are you?
- Hi.

00:57:40.324 --> 00:57:42.452
- Come on in.
- Thanks.

00:58:39.091 --> 00:58:41.802
Good afternoon, you're
calling the Degollado Theater.

00:58:41.844 --> 00:58:44.222
Good afternoon, is Edith there?

00:58:44.305 --> 00:58:45.598
This is she, at your service.

00:58:45.598 --> 00:58:49.685
Hi, this is Mrs.
Cristina Ladrón de Guevara.

00:58:49.685 --> 00:58:52.480
- How are you, ma'am?
- Fine, thank you, and you?

00:58:54.023 --> 00:58:57.360
Fortunately, the rest of
this year's calendar is...

00:58:57.360 --> 00:58:59.779
- Full.
- Without exaggeration, at 100%.

00:58:59.779 --> 00:59:02.073
Of course. So many months,

00:59:02.073 --> 00:59:03.950
almost a year without anything.

00:59:03.950 --> 00:59:06.077
Yeah, since November...

00:59:06.077 --> 00:59:10.289
We really need things
to be very formal

00:59:10.289 --> 00:59:14.418
so everything goes well
because it's something special.

00:59:14.418 --> 00:59:17.380
This is the
international premiere

00:59:17.380 --> 00:59:20.841
of the "Piano Concerto
for Eight Fingers".

00:59:20.841 --> 00:59:23.928
There has never been a
composition like this before.

00:59:23.928 --> 00:59:26.222
By a composer from this state,
Jalisco, no less.

00:59:26.597 --> 00:59:30.309
So we want everything to be
perfect. To set a precedent...

00:59:30.685 --> 00:59:33.145
in the Degollado Theater with
the state's Philharmonic...

00:59:33.145 --> 00:59:36.065
An then, we can take
this work abroad too...

00:59:37.066 --> 00:59:38.901
With different orchestras
around the world.

00:59:39.819 --> 00:59:42.113
3-0, half time.

00:59:50.079 --> 00:59:51.664
Do you remember this part?

00:59:58.921 --> 00:59:59.922
No?

01:00:03.092 --> 01:00:04.677
What do you remember then?

01:00:05.970 --> 01:00:07.972
This?

01:00:08.639 --> 01:00:09.682
Nah.

01:00:14.645 --> 01:00:16.522
Wait, not yet.

01:00:17.273 --> 01:00:19.817
Wait for me two counts. And...

01:00:21.944 --> 01:00:23.279
And!

01:00:23.279 --> 01:00:25.406
Right there. And...

01:00:27.158 --> 01:00:29.410
No, no. Two counts.

01:00:30.536 --> 01:00:31.579
Again, and...

01:00:32.163 --> 01:00:33.873
Hey, we go together.

01:00:35.124 --> 01:00:36.250
Lift the pedal.

01:00:36.917 --> 01:00:38.002
Three, and...

01:00:41.964 --> 01:00:44.133
- Son, you are not counting.
- Huh?

01:00:44.133 --> 01:00:45.551
You are not counting.

01:00:48.012 --> 01:00:49.055
That's it!

01:00:52.433 --> 01:00:54.018
What happened there?

01:00:55.478 --> 01:00:57.855
The notes, the n--

01:00:58.022 --> 01:00:59.607
The notes, son.

01:01:02.485 --> 01:01:04.320
If we hear it
clearly like this,

01:01:04.320 --> 01:01:06.238
we should hear it
clearly on the piano.

01:01:09.241 --> 01:01:10.242
Much better.

01:01:10.660 --> 01:01:12.828
Here,
it's completely-- Look at me.

01:01:16.707 --> 01:01:18.501
Get-it-outta-here!

01:01:21.837 --> 01:01:23.172
Again.

01:01:24.090 --> 01:01:26.509
It's correct, but too robotic.

01:01:28.511 --> 01:01:30.554
Wait, wait, wait.
I'm not finished.

01:01:33.557 --> 01:01:35.768
So, what do you feel with this?

01:01:35.768 --> 01:01:37.311
What are you gonna
do with those notes?

01:01:42.441 --> 01:01:43.818
An octave lower.

01:01:52.243 --> 01:01:53.327
Good.

01:01:58.541 --> 01:02:00.543
...two and...

01:02:15.266 --> 01:02:18.060
Ok, still a lot of work ahead.

01:02:18.060 --> 01:02:19.145
Aha...

01:02:20.896 --> 01:02:24.024
But we did some good
work rebuilding.

01:02:24.692 --> 01:02:26.318
Very well.

01:02:26.777 --> 01:02:29.029
- Go rest.
- Thanks.

01:03:07.193 --> 01:03:08.444
Ready.

01:03:08.444 --> 01:03:09.904
Straighten it a little bit.

01:03:11.280 --> 01:03:12.698
Enjoy it, son.

01:03:12.948 --> 01:03:13.991
Enjoy it a lot.

01:03:19.914 --> 01:03:21.081
Ready?

01:03:22.166 --> 01:03:23.209
Yes.

01:03:31.425 --> 01:03:33.469
We thank you, Lord.

01:03:33.469 --> 01:03:36.680
We leave things in your hands.
We praise you.

01:03:37.306 --> 01:03:38.390
Amen.

01:03:57.451 --> 01:04:01.121
Trust in what you've learned.

01:04:01.121 --> 01:04:04.667
When one's out there,
any small mistake...

01:04:04.667 --> 01:04:07.169
tends to look bigger.

01:04:07.711 --> 01:04:10.089
The important
thing is to go on.

01:04:10.089 --> 01:04:11.757
Keep your mind

01:04:11.757 --> 01:04:13.759
on the goal.

01:04:13.759 --> 01:04:16.345
Forget what is behind.

01:04:16.345 --> 01:04:19.390
That is our motto
for the stage.

01:13:36.613 --> 01:13:38.865
David is maturing as a person,

01:13:38.865 --> 01:13:40.534
as an individual.

01:13:41.368 --> 01:13:43.286
He is already independent.

01:13:43.286 --> 01:13:47.332
He doesn't need me to
create a repertoire.

01:13:49.000 --> 01:13:51.503
He will define his own profile

01:13:51.503 --> 01:13:53.588
and his own path.

01:13:53.588 --> 01:13:56.049
He will give his personal touch

01:13:56.049 --> 01:13:58.844
to whatever he does in music.

01:14:14.484 --> 01:14:17.988
Next is David
González from Mexico.

01:14:17.988 --> 01:14:21.491
He will play "Hymn of Hope",

01:14:21.491 --> 01:14:24.453
which David himself
has composed.

01:14:24.453 --> 01:14:26.037
Please, David.

01:17:36.686 --> 01:17:39.724
David enjoyed sharing this film
with audiences at festivals

01:17:39.748 --> 01:17:41.524
and cinemas in
Mexico and abroad.

01:17:41.524 --> 01:17:45.528
In memory of our beloved David

01:17:45.528 --> 01:17:48.167
Your spirit remains Unbreakable,

01:17:48.191 --> 01:17:51.409
and your legacy will
be a Hymn of Hope.

00:00:59.469 --> 00:01:02.138
¡David!

00:01:07.643 --> 00:01:09.812
¡David!

00:01:13.900 --> 00:01:15.401
¡DAVID!

00:01:16.360 --> 00:01:18.029
¡Voy!

00:02:51.747 --> 00:02:54.667
Huevito, huevito revuelto

00:02:59.922 --> 00:03:02.091
Ni que fuera pastel.

00:03:05.928 --> 00:03:08.890
Pobre de la gente que no le
gusta la cátsup ni la mayonesa.

00:03:09.640 --> 00:03:12.143
Ven todo esto y van a decir...

00:03:13.477 --> 00:03:15.104
¿Me pasas el pan, por fa?

00:03:21.444 --> 00:03:23.070
Oye, pero ya tienes pan.

00:03:23.070 --> 00:03:25.907
Sí, pero ese es para que no
se enfríe esa parte del huevo

00:03:25.907 --> 00:03:28.159
y ya mientras como esto.

00:04:22.755 --> 00:04:27.426
Qué gusto y qué alegría de poder
estar nuevamente con ustedes.

00:04:27.426 --> 00:04:30.304
Hoy, en este su programa
musical Interludio,

00:04:30.346 --> 00:04:32.265
contamos con la presencia

00:04:32.306 --> 00:04:36.519
de un distinguido y talentoso
pianista jalisciense.

00:04:36.769 --> 00:04:39.981
Se trata de José
Luis González Moya.

00:05:26.277 --> 00:05:29.238
Cuando yo era pequeño,
recuerdo...

00:05:29.322 --> 00:05:33.701
que yo veía a mi papá que tocaba
piano y yo me ponía muy feliz.

00:05:33.743 --> 00:05:36.704
Y yo decía, "Ay, algún día
quiero poder tocar piano".

00:05:37.371 --> 00:05:40.166
Y, ¿por qué no?
También tocar juntos.

00:05:54.096 --> 00:05:58.517
Es como algo que todos
los papás quizá desean.

00:05:58.559 --> 00:06:01.145
Tus gustos, tus pasiones,
algo que te emociona,

00:06:01.187 --> 00:06:03.439
compartirlo algún
día con tu hijo, ¿no?

00:06:06.025 --> 00:06:07.651
Fue como...

00:06:09.653 --> 00:06:11.864
que te dan donde te duele.

00:06:36.263 --> 00:06:39.141
Pienso que ya tenía yo seis,
siete meses de embarazo,

00:06:39.141 --> 00:06:42.019
que en un ultrasonido
el doctor nos dijo

00:06:42.019 --> 00:06:46.690
que veía que un bracito
estaba más corto que otro.

00:06:47.316 --> 00:06:50.528
Y todavía eran medidas
milimétricas, realmente.

00:06:50.736 --> 00:06:53.572
Pero de acuerdo con su
experiencia, nos dijo

00:06:53.572 --> 00:06:57.535
que era un hecho que
había diferencias fuertes.

00:06:57.535 --> 00:07:00.704
No era como que se
equivocó en la medida.

00:07:03.457 --> 00:07:06.669
A ver, vamos a ver este...

00:07:06.710 --> 00:07:08.462
Este, a ver.

00:07:09.171 --> 00:07:11.841
Aquí estoy esperando a David.

00:07:13.008 --> 00:07:15.052
Sí tuvimos unos días que

00:07:15.052 --> 00:07:17.763
pues sí nos
llenamos de tristeza

00:07:17.763 --> 00:07:20.433
porque no sabíamos cómo
iba a nacer nuestro hijo,

00:07:20.433 --> 00:07:22.643
realmente qué tenía.

00:07:22.643 --> 00:07:24.562
A nadie le quisimos decir nada,

00:07:24.562 --> 00:07:27.273
como que lo quisimos
guardar eso para nosotros

00:07:27.773 --> 00:07:31.694
hasta realmente ver cómo
nacería nuestro hijo.

00:07:34.613 --> 00:07:38.534
Hoy es el 1 de febrero de 1997.

00:07:38.784 --> 00:07:40.786
¿Cuánto...?
¿Qué edad tiene David?

00:07:41.954 --> 00:07:44.957
- Mes y medio ya cumplió.
- Híjole.

00:07:45.833 --> 00:07:47.918
A ver, estamos viendo
aquí qué fuerte es.

00:07:47.960 --> 00:07:49.628
Está haciendo ejercicio.

00:07:56.719 --> 00:08:00.764
Pues yo me siento igual a
cualquier otro ser humano,

00:08:00.764 --> 00:08:03.840
pero obvio sé que mis
características físicas

00:08:03.864 --> 00:08:05.186
sí son diferentes.

00:08:05.227 --> 00:08:08.397
Pero, sobre todo, soy persona.

00:08:09.440 --> 00:08:12.401
Y, como cualquier otra persona,

00:08:12.401 --> 00:08:14.987
con virtudes y defectos.

00:08:14.987 --> 00:08:16.509
Pero, en cuanto a valor,

00:08:16.533 --> 00:08:18.949
creo que todos tenemos
el mismo valor.

00:08:27.625 --> 00:08:31.587
Siempre busco la manera
de poder hacer las cosas.

00:08:31.587 --> 00:08:35.174
O me adapto o busco una manera
diferente de hacer las cosas.

00:08:50.272 --> 00:08:52.608
Por ejemplo, estas tijeras...

00:08:52.608 --> 00:08:54.568
Ay, otra vez.

00:08:55.444 --> 00:08:56.498
¡Bloopers!

00:08:57.029 --> 00:09:00.574
Por ejemplo, estas tijeras,
cuando yo iba en la primaria,

00:09:00.574 --> 00:09:03.202
son las que yo usaba porque...

00:09:03.202 --> 00:09:05.663
pues como decía,
no puedo abrir mucho la mano,

00:09:05.663 --> 00:09:07.289
pero las usaba con la izquierda

00:09:08.207 --> 00:09:10.876
y nomás le apachurraba
así y cerraba.

00:09:11.085 --> 00:09:12.756
Y ya con eso me adaptaba

00:09:12.781 --> 00:09:16.061
para poder
seguir haciendo las actividades.

00:09:17.341 --> 00:09:20.052
Pues yo nací con
el síndrome Miller,

00:09:20.052 --> 00:09:22.680
que son muchas
características diferentes.

00:09:22.680 --> 00:09:25.224
Dentro de ellas están,

00:09:25.224 --> 00:09:28.936
cuatro dedos en los pies,
cuatro dedos en las manos.

00:09:29.103 --> 00:09:31.689
Mis brazos son más cortos.

00:09:31.689 --> 00:09:34.858
Por ejemplo,
aquí un tanto curvo.

00:09:34.858 --> 00:09:37.945
Los dedos de la mano derecha
no los puedo extender.

00:09:37.945 --> 00:09:41.323
Aquí,
solo puedo extender uno o dos.

00:09:41.907 --> 00:09:46.954
Y, o sea,
una movilidad muy limitada.

00:09:47.037 --> 00:09:50.416
Para escuchar necesito
un aparato auditivo.

00:09:51.875 --> 00:09:54.545
Mis ojos no cierran del todo.

00:09:55.254 --> 00:09:59.842
Y mis oídos, el conducto
auditivo está muy estrecho.

00:10:00.175 --> 00:10:03.929
Y, por ello, necesito el
auxiliar para escuchar.

00:10:04.471 --> 00:10:07.766
Y pues no oigo igual
que las demás personas.

00:10:10.728 --> 00:10:12.855
A ver,
David, saluda a las cámaras.

00:10:15.357 --> 00:10:18.068
Pues, obviamente,

00:10:18.068 --> 00:10:21.655
lo más visible

00:10:21.655 --> 00:10:27.620
serían las diferencias
en su rostro

00:10:27.620 --> 00:10:29.872
y sus extremidades.

00:10:30.247 --> 00:10:34.084
Pero, para mí,
que soy pianista, sus manos.

00:10:34.627 --> 00:10:36.629
¿No? O sea...

00:10:36.962 --> 00:10:39.965
me saltó a la vista, ¿no?
Sus manos.

00:10:41.884 --> 00:10:44.428
Y sentir sus manitas,
sentir sus dedos.

00:10:48.974 --> 00:10:52.519
Opa, opa, opa, opa. Opa, nene.

00:10:53.228 --> 00:10:56.273
Las manos de David

00:10:56.649 --> 00:11:00.569
no las pensaba puestas sobre
un teclado, sobre un piano.

00:11:01.362 --> 00:11:03.364
Eres un chilloncito.

00:11:16.627 --> 00:11:19.088
- ¡Gol!
- ¡No!

00:11:20.047 --> 00:11:21.340
Dybala.

00:11:22.883 --> 00:11:24.385
Y de visita, eh, dos.

00:11:32.518 --> 00:11:34.687
¡No fue! ¡Fue fuera!

00:11:35.062 --> 00:11:37.106
¿Qué dice el VAR?

00:11:37.106 --> 00:11:38.649
Vamo' a revisarlo.

00:11:38.691 --> 00:11:40.818
- No fue.
- No fue.

00:11:45.989 --> 00:11:48.033
- ¡Gol!
- ¡Gol!

00:11:49.451 --> 00:11:52.413
No pasa nada,
mi Deivid, no pasa nada.

00:11:53.330 --> 00:11:55.582
¡Acá mi equipo!

00:11:56.375 --> 00:11:59.002
Arriba va el Gallo, el Alexis
y yo nos vamos a quedar abajo.

00:11:59.002 --> 00:12:00.754
No,
el Gallo tiene que defender.

00:12:00.796 --> 00:12:02.131
El Gallo y Alexis defensas.

00:12:02.131 --> 00:12:04.133
Pues quédense
ustedes dos arriba.

00:12:04.550 --> 00:12:06.552
Yo no quiero ir al agua,
amigos.

00:12:06.593 --> 00:12:08.721
- Todos aquí.
- Vamos a ganar.

00:12:08.762 --> 00:12:12.808
Una, dos, tres, ¡vamos a ganar!

00:12:14.101 --> 00:12:16.645
A las tres. ¡Ya!

00:12:16.687 --> 00:12:18.689
¡Vámonos!

00:12:20.441 --> 00:12:21.525
¡Oh!

00:12:21.567 --> 00:12:24.111
No…

00:12:33.162 --> 00:12:35.122
¿Tienes las percus?

00:12:39.168 --> 00:12:41.295
- ¿Qué buscas?
- Las claves.

00:12:43.797 --> 00:12:44.798
Gracias, pa.

00:12:50.012 --> 00:12:52.014
Un, dos, tres.

00:13:00.773 --> 00:13:03.776
Mi hermana Gigi
estudió Composición.

00:13:03.776 --> 00:13:08.530
Mi hermana Mariana estudió
Licenciatura en Violín.

00:13:09.106 --> 00:13:10.470
Y, pues, dije,

00:13:10.503 --> 00:13:14.620
"Yo también quiero aprender
a hacer música, a tocar".

00:13:14.620 --> 00:13:17.498
Y divertirme,
porque me encantaba.

00:13:53.909 --> 00:13:56.161
Aquí está mi papá de joven.

00:13:59.581 --> 00:14:02.417
Mi papá en Alemania.

00:14:02.417 --> 00:14:04.711
En su combi con el piano.

00:14:04.711 --> 00:14:09.466
Iba a sus clases en Alemania,
en Francia.

00:14:09.842 --> 00:14:13.387
Pues viajaba y ahí
podía practicar piano.

00:14:13.387 --> 00:14:16.265
Una anécdota muy, muy chida.

00:14:16.932 --> 00:14:19.601
¿A poco ya había fotos a color?

00:14:22.604 --> 00:14:25.566
Este es el piano que
está en mi casa, creo.

00:14:25.732 --> 00:14:26.942
Se parece mucho.

00:14:27.651 --> 00:14:32.614
Pues creo que mi papá fue a
concursar a un día con Chabelo

00:14:32.614 --> 00:14:36.994
y ganó otro instrumento,

00:14:36.994 --> 00:14:41.582
y ese lo vendieron y su papá
le ayudó a comprar este piano.

00:14:43.625 --> 00:14:45.252
El buen Chabelo.

00:14:47.254 --> 00:14:49.256
Ok, pero...

00:14:51.049 --> 00:14:53.051
No. Está muy golpeado.

00:14:58.932 --> 00:15:02.102
Ok, es como...
Hunde más la mano.

00:15:02.519 --> 00:15:04.605
- De las dos.
- Blando, pero...

00:15:06.648 --> 00:15:08.567
Está bien.

00:15:09.484 --> 00:15:11.570
Siempre cuando estás
estudiando el piano,

00:15:11.612 --> 00:15:13.238
de una manera ya más a fondo,

00:15:13.280 --> 00:15:16.366
hasta tratas de buscar
la altura mejor,

00:15:16.366 --> 00:15:19.244
más favorable para ti,
del banco del piano,

00:15:19.661 --> 00:15:22.497
para que tus manos queden
de determinada forma,

00:15:22.539 --> 00:15:24.541
a determinada distancia.

00:15:26.084 --> 00:15:28.211
Estás muy ocupado

00:15:28.211 --> 00:15:30.422
planeando,
pero no estás oyendo.

00:15:30.797 --> 00:15:33.175
- ¿Muñeca o todo el brazo?
- De puntas. No, todo el brazo.

00:15:33.175 --> 00:15:36.178
Como trabajas tantos
años en eso, dices,

00:15:36.178 --> 00:15:39.222
"Para tocar el piano
se necesita esto".

00:15:40.682 --> 00:15:42.434
Vámonos, vámonos, vámonos.

00:15:55.322 --> 00:15:58.283
¿Sí has oído hablar
del Fibonacci o no?

00:15:58.617 --> 00:16:02.871
Fibonacci es como una
sucesión de números.

00:16:04.623 --> 00:16:09.836
1+1=2, 1+2=3, 2+3=5 y así va.

00:16:09.836 --> 00:16:11.254
Investigando más,

00:16:11.296 --> 00:16:13.588
o sea, también te das cuenta

00:16:13.612 --> 00:16:17.386
de que incluso el Fibonacci
está en la música.

00:16:20.180 --> 00:16:21.181
Ve.

00:16:22.557 --> 00:16:24.351
Fibonacci, pues.

00:16:24.893 --> 00:16:27.521
Do,
do sostenido, re, re sostenido…

00:16:46.164 --> 00:16:47.499
Me pongo a pensar:

00:16:47.541 --> 00:16:52.462
la mente maestra que está detrás
de toda la creación, pues.

00:16:52.504 --> 00:16:54.840
Un genio matemático absoluto.

00:17:18.280 --> 00:17:21.241
O sea, lo vemos, ¿no?
Al menos yo,

00:17:22.284 --> 00:17:26.788
que soy creyente, veo cómo
todo esto es inspiración, ¿no?

00:17:26.788 --> 00:17:30.042
Imagínate toda la
imaginación que tuvo

00:17:30.167 --> 00:17:32.419
para crear cada
una de las cosas.

00:17:52.939 --> 00:17:55.901
Todo tiene un porqué.

00:18:01.073 --> 00:18:03.658
¿También encuentras el
Fibonacci en ti mismo?

00:18:03.909 --> 00:18:05.035
Pues sí.

00:18:05.368 --> 00:18:08.121
Un poco más disparejo,
pero claro que sí.

00:18:10.248 --> 00:18:12.250
Todos tenemos Fibonacci.

00:18:51.164 --> 00:18:53.625
¡Hey, hey, Bad Bonnie!

00:18:54.292 --> 00:18:56.461
¡Bad Bonnie baby!

00:18:57.587 --> 00:18:59.381
Esta pega el brinco.

00:19:00.048 --> 00:19:02.467
¿Verdad, tú?
Oye, ¿tú qué andas tan...?

00:19:02.509 --> 00:19:04.594
Está buenísimo.

00:19:04.594 --> 00:19:06.680
¡Pero toda la rosca!

00:19:06.721 --> 00:19:08.682
No, cada quien tiene
que partir su pedazo.

00:19:08.849 --> 00:19:10.851
Ay, David.

00:19:10.892 --> 00:19:12.269
¡Le salió el monito!

00:19:14.354 --> 00:19:17.983
Mi hermana y yo damos clases,
a eso nos dedicamos

00:19:18.024 --> 00:19:19.109
y, este...

00:19:19.109 --> 00:19:20.305
y todos mis sobrinos,

00:19:20.329 --> 00:19:22.904
pues desde los tres años
han venido a clases.

00:19:24.114 --> 00:19:28.743
Entonces, un día que
hubo reunión familiar,

00:19:28.743 --> 00:19:32.205
aquí nos reunimos
en la casa y este...

00:19:32.831 --> 00:19:35.542
ya nos estábamos
despidiendo y todo.

00:19:35.542 --> 00:19:40.380
Y dice mi cuñada,
Cristy, la mamá de David, dice,

00:19:40.380 --> 00:19:42.426
"¿Cuándo te traigo
entonces a David para que,

00:19:42.451 --> 00:19:44.419
para ya sus clases de piano?"

00:19:44.801 --> 00:19:46.052
Y yo...

00:19:46.094 --> 00:19:48.889
Y yo, así por dentro,
tragué saliva, glup.

00:19:48.889 --> 00:19:54.394
Y dije,
"Ah, pues si quieres el martes".

00:19:54.394 --> 00:19:57.314
Y sí era el martes,
no lo estoy diciendo al tanteo.

00:19:57.314 --> 00:19:59.482
"Si quieres tráelo el martes

00:19:59.482 --> 00:20:03.111
porque es cuando vienen
los niños de su edad".

00:20:03.111 --> 00:20:04.654
Tenía tres o cuatro años,
cosa así.

00:20:06.114 --> 00:20:07.490
A ver...

00:20:08.200 --> 00:20:11.953
yo quería que lo hiciera,
pero, al mismo tiempo,

00:20:11.953 --> 00:20:16.875
me daba un temor de que no fuera
a resultar contraproducente,

00:20:17.709 --> 00:20:22.839
que fuera a resultar como una
frustración para David, ¿sí?

00:20:23.256 --> 00:20:26.635
Pero dije,
"Bueno, adelante, vamos viendo

00:20:26.635 --> 00:20:28.595
y sobre la marcha".

00:20:31.139 --> 00:20:33.183
¿Qué andas haciendo, David?

00:20:33.183 --> 00:20:35.644
Mira, estaba viendo...
Me hallé este.

00:20:35.644 --> 00:20:39.439
¿Te acuerdas cuando empezaste?

00:20:39.648 --> 00:20:41.191
Creo que tú le hacías...

00:20:41.191 --> 00:20:45.028
que la mano derecha se
encargara del re, mi, fa, sol

00:20:45.070 --> 00:20:47.739
y cruzabas la izquierda.

00:20:49.241 --> 00:20:52.202
Y aquí ya continuabas
con la izquierda.

00:20:52.786 --> 00:20:54.955
A ver, si quieres hazlo.

00:21:03.213 --> 00:21:04.381
Eso.

00:21:04.381 --> 00:21:07.425
- ¿Sí? ¿Lo hacemos juntos?
- Sí.

00:21:07.509 --> 00:21:09.344
Una, dos, tres.

00:21:10.220 --> 00:21:12.597
Lo bueno es que ni tú ni
yo nos cerrábamos, o sea...

00:21:13.348 --> 00:21:16.351
Éramos como... buscar manera.

00:21:16.351 --> 00:21:18.520
"¿Pues cómo es esto?

00:21:18.520 --> 00:21:23.024
¿Y si lo hacemos así?" Y a
veces la sugerencia venía de ti,

00:21:23.024 --> 00:21:24.317
a veces mía,

00:21:24.317 --> 00:21:28.822
o si yo veía que se te podría
facilitar de determinada manera,

00:21:28.863 --> 00:21:31.992
pues ya te decía,
"Pues prueba, intenta así".

00:21:32.325 --> 00:21:33.451
Bien, bien.

00:21:34.244 --> 00:21:36.955
Ahora toca en el piano do,
re, mi, fa, sol, la, si.

00:21:37.122 --> 00:21:38.623
¿Cuál piano?

00:21:38.665 --> 00:21:40.166
En el grande de papi.

00:21:41.584 --> 00:21:43.795
- ¿Ese?
- ¡Sí!

00:21:46.798 --> 00:21:51.136
Do, re, mi, fa, sol, la, si.

00:21:51.386 --> 00:21:53.888
A ver,
otra vez, ¿dónde está do?

00:21:54.347 --> 00:21:56.599
Re, re.

00:21:57.684 --> 00:22:01.938
Mi, fa, sol.

00:22:01.938 --> 00:22:05.483
Yo pensé, pues que le enseñen
ahí jueguitos musicales y así.

00:22:05.984 --> 00:22:08.194
Ahí que le pique un
ratito al piano, ¿no?

00:22:09.446 --> 00:22:11.781
Pero que en el piano realmente

00:22:11.781 --> 00:22:14.409
se iba a topar con cosas

00:22:14.993 --> 00:22:16.619
infranqueables.

00:22:20.165 --> 00:22:21.624
¡Bravo!

00:22:23.376 --> 00:22:27.547
Creo que de pequeño no era tan
consciente de mis limitaciones.

00:22:27.797 --> 00:22:29.132
Entonces...

00:22:29.299 --> 00:22:31.468
pues yo intentaba
sacar la pieza,

00:22:31.843 --> 00:22:34.804
lo más parecido a
como me decía mi tía.

00:22:34.846 --> 00:22:37.474
Yo la intentaba sacar
a como dé lugar.

00:22:41.895 --> 00:22:44.272
Aunque pues sí veía...

00:22:44.356 --> 00:22:46.775
por ejemplo,
mi prima, que pues ella

00:22:46.775 --> 00:22:49.569
podía extender más las manos y

00:22:49.569 --> 00:22:51.687
yo decía, "Ay, bueno, ya que
crezca,

00:22:51.711 --> 00:22:53.281
me van a crecer las manos

00:22:53.281 --> 00:22:54.657
y ya voy a alcanzar".

00:23:24.229 --> 00:23:26.815
Como mi tía es maestra
para niños, dije,

00:23:26.815 --> 00:23:29.609
"Ah, pues ya que sea grande,
mi papá me va a dar clases.

00:23:29.651 --> 00:23:32.529
Ya que sea bueno.
O sea, ya que sea más bueno".

00:23:52.298 --> 00:23:54.259
¡Hey!

00:23:54.300 --> 00:23:55.552
Voy, estoy en el baño.

00:23:55.552 --> 00:23:58.096
Soy la voz de tu conciencia.

00:23:58.430 --> 00:24:01.599
Ya es muy tarde,
tienes que levantarte.

00:24:06.396 --> 00:24:09.232
- ¿Eh?
- ¡Estoy en el baño!

00:24:09.232 --> 00:24:10.942
¿A poco?

00:24:10.942 --> 00:24:12.652
¡Te espero a desayunar, ándale!

00:24:12.652 --> 00:24:14.696
- No voy a desayunar.
- ¿No?

00:24:15.530 --> 00:24:17.740
No. Me voy a tomar
una malteada y ya.

00:24:17.740 --> 00:24:19.242
¿Ayuno intermitente?

00:24:19.242 --> 00:24:21.119
Una malteada y ya.

00:24:21.119 --> 00:24:22.454
Bueno, ándele, pues.

00:24:26.374 --> 00:24:29.544
La abuelita de una alumna

00:24:29.544 --> 00:24:31.546
es maestra de piano.

00:24:31.546 --> 00:24:34.424
Esta maestra

00:24:34.632 --> 00:24:38.595
sabía,
supo que iba a haber un concurso

00:24:38.595 --> 00:24:40.972
a nivel internacional

00:24:40.972 --> 00:24:43.558
para personas con discapacidad.

00:24:43.558 --> 00:24:47.437
Entonces,
me mandó preguntar que si no

00:24:48.021 --> 00:24:50.106
nos gustaría que
participara David.

00:24:53.860 --> 00:24:55.564
Le dije, "Yo por mí, sí.

00:24:55.589 --> 00:24:57.826
Pero tengo que
preguntar a sus papás".

00:24:58.114 --> 00:25:00.492
"¿Cómo hacen un festival para
pianistas con discapacidad?

00:25:00.533 --> 00:25:02.744
A ver, ¿y qué hacen?
¿Qué tocan?

00:25:04.162 --> 00:25:08.166
No van a tocar las obras que
todos los pianistas tocan,

00:25:08.166 --> 00:25:09.918
de Chopin, de Liszt".

00:25:18.718 --> 00:25:22.055
Voy a tocar...

00:25:22.055 --> 00:25:28.019
con mi papá un
popurrí mexicano.

00:25:40.865 --> 00:25:42.116
Él hizo el arreglo,

00:25:42.116 --> 00:25:45.411
entonces, me tenía que explicar
ciertas cosas de las piezas.

00:25:45.578 --> 00:25:49.999
Y de ahí me empezó a
dar lecciones de piano.

00:25:50.041 --> 00:25:52.043
Poco a poco, poco a poco.

00:25:53.836 --> 00:25:55.964
También eso me ayudó a
abrir mi mente porque dije,

00:25:56.005 --> 00:25:58.007
"A ver,
entonces, no es el único".

00:25:59.425 --> 00:26:01.427
Ahí fue donde empezó a soltarse

00:26:01.427 --> 00:26:03.096
y yo también como compositor.

00:26:03.096 --> 00:26:06.015
Dije, "A ver,
pues ahora sí que ingéniatelas,

00:26:06.057 --> 00:26:08.142
pero dale algo
más interesante".

00:26:15.275 --> 00:26:16.943
Hola, amigos, ¿cómo están?

00:26:16.943 --> 00:26:18.949
Muy buenas tardes,
un placer saludarles.

00:26:18.974 --> 00:26:20.446
Como siempre,
estamos aquí Noé y yo

00:26:20.446 --> 00:26:22.574
muy contentos de tener
un nuevo programa aquí en

00:26:22.574 --> 00:26:24.644
"Personas que trascienden e
inspiran,

00:26:24.668 --> 00:26:26.160
transformándonos juntos".

00:26:26.160 --> 00:26:30.248
Y hoy tenemos a David
González Ladrón de Guevara.

00:26:30.248 --> 00:26:33.126
David es pianista mexicano.

00:26:33.126 --> 00:26:34.179
Él, bueno...

00:26:34.204 --> 00:26:36.671
para quien no nos pueda
estar viendo en este momento,

00:26:36.671 --> 00:26:39.257
nace con el síndrome Miller.

00:26:39.257 --> 00:26:42.218
Hablábamos aquí
sobre un festival:

00:26:42.218 --> 00:26:45.664
Festival internacional para
pianistas con discapacidades.

00:26:45.689 --> 00:26:48.141
Por ejemplo, esa experiencia,
David, platícanos, por favor,

00:26:48.141 --> 00:26:49.469
¿qué ha significado para ti?

00:26:49.493 --> 00:26:51.060
¿Cómo fue que
llegaron hasta ahí?

00:26:51.060 --> 00:26:53.521
La primera etapa
era mandar un video.

00:26:54.022 --> 00:26:58.026
Y luego, nos llaman y
nos dicen que pasamos

00:26:58.234 --> 00:27:00.528
y que tenemos que
ir a Vancouver.

00:27:01.613 --> 00:27:06.075
De México, el Sr.
David González.

00:27:17.420 --> 00:27:22.091
Pasamos la primera eliminatoria,
la segunda y ya la final.

00:27:22.133 --> 00:27:23.509
La más cálida bienvenida

00:27:23.551 --> 00:27:25.386
a nuestra ceremonia de
clausura esta noche.

00:27:27.096 --> 00:27:29.807
Y ya ves que
normalmente se dice

00:27:29.807 --> 00:27:33.436
primero el tercero,
luego el segundo lugar

00:27:33.478 --> 00:27:35.313
- y luego el primero.
- Sí.

00:27:35.355 --> 00:27:40.568
Allá, no sé por qué, pero
primero dijeron el primer lugar.

00:27:41.110 --> 00:27:42.779
Luego, el segundo y el tercero.

00:27:43.363 --> 00:27:48.117
Y el comité organizador de
ese festival es japonés.

00:27:48.785 --> 00:27:50.704
Entonces, hablando en inglés,

00:27:50.728 --> 00:27:52.914
con su acento japonés,
dijeron...

00:27:53.331 --> 00:27:54.749
El primer lugar,

00:27:55.124 --> 00:27:56.542
¡González, David!

00:27:57.919 --> 00:28:00.380
¡David, pasa adelante!

00:28:00.421 --> 00:28:02.799
Y yo, "¿Qué? ¿Gané?"

00:28:05.802 --> 00:28:07.261
Damas y caballeros,

00:28:07.261 --> 00:28:10.807
los ganadores de la competencia
para menores de dieciocho años.

00:28:10.807 --> 00:28:12.934
¡Muchas gracias y felicidades!

00:28:59.522 --> 00:29:01.524
Cuando nació
nuestro hijo David,

00:29:01.524 --> 00:29:03.482
yo no pensé que fuera a tocar el
piano,

00:29:03.506 --> 00:29:05.153
dadas sus limitaciones físicas.

00:29:05.153 --> 00:29:09.031
Cuando vi que David podía
tocar el piano y no solo eso,

00:29:09.031 --> 00:29:11.993
sino que daba muestras de una
gran sensibilidad musical,

00:29:11.993 --> 00:29:14.829
fue cuando me decidí
a dedicarle tiempo

00:29:14.829 --> 00:29:19.000
y a buscar las cosas que él
sí puede hacer con sus manos.

00:29:21.210 --> 00:29:24.255
Es tiempo de hacer la
diferencia entre tener alumnos

00:29:24.255 --> 00:29:25.798
o tener discípulos.

00:29:26.048 --> 00:29:29.343
Creo que el discípulo es
alguien en quien el maestro

00:29:29.343 --> 00:29:31.304
puede reproducirse a sí mismo.

00:29:31.721 --> 00:29:33.340
Lo cual solamente es posible

00:29:33.364 --> 00:29:35.683
a través de una gran
inversión de tiempo

00:29:35.683 --> 00:29:38.102
y, principalmente, de amor.

00:30:16.974 --> 00:30:20.728
Todo este ambiente que
se forma en la naturaleza

00:30:20.728 --> 00:30:23.689
seguramente influye en
la música de cada país.

00:30:30.780 --> 00:30:32.281
¿Sí oyes el último sonido o no?

00:30:32.281 --> 00:30:33.741
El último no.

00:30:40.164 --> 00:30:44.126
Esos insectos tienen su ritmo,
tienen su motivo musical.

00:30:44.877 --> 00:30:47.839
Y no se van a salir de ese
ritmo y de ese motivo musical.

00:30:47.839 --> 00:30:49.715
O sea,
ellos van a tocar y cantar

00:30:49.715 --> 00:30:55.096
o ejecutar la sinfonía para
la que fueron diseñados.

00:30:57.640 --> 00:31:00.852
Pero eso no quiere decir que
diario tocan la misma pieza.

00:31:02.854 --> 00:31:06.274
Habría que meternos ahí
en su mundo, no sabemos.

00:31:07.900 --> 00:31:10.570
Yo creo que sí
cambian su repertorio.

00:31:15.283 --> 00:31:18.160
Dicen que las chicharras
llaman a la lluvia.

00:31:41.142 --> 00:31:43.144
¡Bravo!

00:31:54.196 --> 00:31:55.615
Apagas los aplausos.

00:31:55.656 --> 00:31:57.116
Que apago los aplausos.

00:31:57.158 --> 00:31:59.493
Se queda ahí parado,
como horas, sin moverse.

00:31:59.493 --> 00:32:01.871
Pues la gente sigue aplaudiendo,
pero ya por compromiso.

00:32:01.871 --> 00:32:03.456
- No, no, no, no.
- No, no...

00:32:03.497 --> 00:32:05.333
Hace rato te querían aplaudir,

00:32:05.333 --> 00:32:07.627
en la primera pieza
y lo apagaste.

00:32:08.210 --> 00:32:09.420
Ay, hijo. Ya.

00:32:09.420 --> 00:32:11.964
En la de Oda a la Alegría.
¿Sí o no que querían aplaudir?

00:32:11.964 --> 00:32:13.674
- ¿Cuál?
- En la de Oda a la Alegría.

00:32:13.674 --> 00:32:16.177
Que la gente quería
seguir aplaudiendo.

00:32:16.177 --> 00:32:18.471
Y mi papá se puso a
acomodar la silla.

00:32:19.931 --> 00:32:21.349
Ah, nomás en esa.

00:32:21.849 --> 00:32:23.309
Está bien.

00:32:23.351 --> 00:32:26.312
Has de darle la razón.
O sea que él está bien.

00:32:26.312 --> 00:32:28.064
No. O sea, está bien que...

00:32:28.105 --> 00:32:29.218
¿Por qué no?

00:32:29.243 --> 00:32:31.150
- Hijo, tranquilo.
- Tiene que tener movimiento.

00:32:31.150 --> 00:32:34.445
Estamos en un concierto
que son muchas piezas.

00:32:34.445 --> 00:32:36.695
No se va a quedar la gente
diez minutos aplaudiendo

00:32:36.719 --> 00:32:38.049
en la primera pieza.

00:32:38.074 --> 00:32:39.492
Pues sí, pero te querían...

00:32:39.492 --> 00:32:42.536
Mira, ve a más conciertos
y entonces vemos, ¿eh?

00:32:42.536 --> 00:32:44.163
- Nomás di eso, no te enojes.
- Pues sí.

00:32:44.163 --> 00:32:47.208
Ok. A ver, una foto con
el señor Sakoda. Córrele.

00:32:50.336 --> 00:32:52.588
Muchas gracias
por venir a Tokio.

00:32:52.588 --> 00:32:54.507
Gracias por la invitación.

00:32:55.007 --> 00:32:58.636
¿Te acuerdas cuando nos
conocimos en Vancouver?

00:32:58.678 --> 00:33:00.680
- En Vancouver, sí.
- ¡Sí!

00:33:00.680 --> 00:33:02.765
Hace diez años.

00:33:03.224 --> 00:33:09.647
A lo largo de diez años, en cada
edición de Piano Paralympics,

00:33:09.647 --> 00:33:12.108
has crecido maravillosamente,

00:33:12.108 --> 00:33:14.610
no solo físicamente,

00:33:14.610 --> 00:33:16.070
también musicalmente.

00:33:16.070 --> 00:33:18.114
- Gracias.
- Sí...

00:33:18.155 --> 00:33:21.242
¡Es sorprendente!

00:33:22.535 --> 00:33:24.328
Debes seguir madurando,

00:33:24.328 --> 00:33:27.206
pues tienes una responsabilidad

00:33:27.206 --> 00:33:29.542
hacia otras personas.

00:33:29.875 --> 00:33:32.086
¿Sí?
No solo hacia ti mismo. Sí.

00:33:32.753 --> 00:33:35.840
Nosotros,
los japoneses, esperamos

00:33:35.840 --> 00:33:40.678
que te conviertas en
un músico muy famoso.

00:33:40.678 --> 00:33:43.472
No solo como pianista,

00:33:43.472 --> 00:33:45.391
sino como músico.

00:33:45.683 --> 00:33:47.685
- Gracias.
- Sí.

00:33:48.060 --> 00:33:49.562
Gracias.

00:33:50.855 --> 00:33:52.023
Oh.

00:33:53.024 --> 00:33:54.400
Tokio Sakoda,

00:33:54.442 --> 00:33:58.446
yo creo que es una persona que
impactó muchísimo en mi vida,

00:33:58.863 --> 00:34:00.865
porque él es

00:34:01.115 --> 00:34:04.076
el principal de Piano
Paralympics y...

00:34:04.326 --> 00:34:07.747
ese festival sin duda
cambió mi vida...

00:34:07.747 --> 00:34:10.215
porque al ganar el
primer concurso,

00:34:10.240 --> 00:34:13.210
y luego que ganaba
más y más premios,

00:34:13.210 --> 00:34:18.716
me di cuenta que me podía
dedicar a la música, al piano.

00:35:38.629 --> 00:35:40.631
Entrenadores...

00:36:06.574 --> 00:36:08.576
David González, cuatro.

00:36:34.018 --> 00:36:37.021
Consideré que un concierto
para piano y orquesta

00:36:37.062 --> 00:36:39.778
le daría una proyección
muy distinta a David,

00:36:39.802 --> 00:36:41.650
que lo llevaría a otro nivel.

00:37:07.384 --> 00:37:08.969
Despacio, no corras.

00:37:09.511 --> 00:37:11.805
- ¿Eh?
- No corras.

00:37:12.681 --> 00:37:14.808
Que mis rodillas no
creas que están...

00:37:23.234 --> 00:37:29.240
Eh... Eco.

00:37:32.201 --> 00:37:35.704
¿Quién dijo que teníamos
que hablar? O sea...

00:37:37.456 --> 00:37:41.043
¿Qué tal si originalmente
fuimos hechos para cantar?

00:37:42.962 --> 00:37:44.964
Cantemos, pues.

00:37:48.092 --> 00:37:52.763
Cuando uno compone
una pieza es como...

00:37:53.847 --> 00:37:58.102
escuchar lo que está en el
ambiente. ¡Mira, mira, mira!

00:37:58.560 --> 00:38:00.521
Ve qué hermoso.

00:38:03.983 --> 00:38:05.734
¡Ve eso!

00:39:09.340 --> 00:39:11.175
A ver, ¿dónde tienes la letra?

00:39:11.383 --> 00:39:13.510
- Pues ahí está, pa.
- ¿Dónde está?

00:39:13.510 --> 00:39:15.012
Ahí, ahí se ve.

00:39:15.304 --> 00:39:18.057
Ay, no, ahí.
¿Quién la va a ver ahí?

00:39:18.057 --> 00:39:20.434
- Pues le pones zoom.
- Chirris...

00:39:20.476 --> 00:39:22.761
A ver, ándale.
Platícame de la letra.

00:39:22.785 --> 00:39:24.688
No lo sé, estoy pensando.

00:39:32.071 --> 00:39:36.158
- Ándele, joven, es para hoy.
- Voy.

00:39:38.369 --> 00:39:40.662
Estoy armando el speech.

00:39:41.038 --> 00:39:45.084
Si quieres,
yo lo grabo ahorita solo.

00:39:45.084 --> 00:39:48.295
O sea,
que nomás esté yo hablando solo.

00:39:48.379 --> 00:39:51.298
¿Como loquito hablando solo?

00:39:51.298 --> 00:39:52.633
No te creas.

00:39:52.633 --> 00:39:53.842
¿Quieres que me vaya?

00:39:53.842 --> 00:39:55.094
Pues si quieres.

00:39:55.135 --> 00:39:58.931
Pues diga eso, ¡chóquela!
Ándele. No me siento si me dice.

00:39:59.014 --> 00:40:02.351
No, digo, yo la compuse, no tú.

00:40:02.393 --> 00:40:04.770
O sea, ¿pues qué van a decir?

00:40:04.770 --> 00:40:06.772
O sea...

00:40:09.441 --> 00:40:11.235
Oh, ¡qué la canción!

00:40:15.531 --> 00:40:20.661
Estoy trabajando en mi
composición "Viviendo el sueño".

00:40:20.786 --> 00:40:22.795
O sea,
compuse la letra imaginando

00:40:22.819 --> 00:40:25.624
como si eso ya fuera
una realidad en mi vida,

00:40:25.666 --> 00:40:29.878
pero también sé que es
el sueño de mucha gente.

00:40:29.878 --> 00:40:33.215
"Estoy viviendo el sueño,
estoy que no me lo creo...

00:40:33.215 --> 00:40:36.176
Estoy agradecido con Dios..."

00:40:36.385 --> 00:40:41.807
Y, al final es un sueño,
encontrar una pareja y...

00:40:42.975 --> 00:40:46.437
tener alguien con
quien compartir sueños,

00:40:47.104 --> 00:40:51.233
objetivos de vida y
formar una familia.

00:41:01.243 --> 00:41:07.124
Sí, pues sí he salido con varias
chavas muy lindas y todo pero...

00:41:08.041 --> 00:41:12.504
pero me sigo esperando para la
persona que Dios tiene para mí.

00:41:13.464 --> 00:41:16.300
Manden currículum.

00:41:16.300 --> 00:41:18.010
Y ya, pues.

00:43:37.899 --> 00:43:39.901
- ¡'Ámonos!
- ¡'Ámonos!

00:44:00.172 --> 00:44:02.799
¿Y eso te da mucha
energía o qué?

00:44:02.799 --> 00:44:04.718
- No.
- ¿Eh?

00:44:04.718 --> 00:44:06.428
¿Es para tocar mejor?

00:44:07.888 --> 00:44:10.140
Voy a hablar con Edith.

00:44:10.182 --> 00:44:11.433
La del Degollado.

00:44:11.475 --> 00:44:13.852
Entonces, para ver lo de...

00:44:14.686 --> 00:44:16.104
lo que falta que nos aclare.

00:44:16.647 --> 00:44:19.983
Que me consigan la cita o
tú vas a arreglar la cita...

00:44:20.359 --> 00:44:23.278
para hablar con los de tramoya
y con el administrador.

00:44:23.487 --> 00:44:27.074
Esas dos cartas
ya se las mandé.

00:44:28.784 --> 00:44:32.371
Entonces, nada más checa si
llega a tu correo una respuesta

00:44:32.412 --> 00:44:34.247
donde diga que ya las recibió.

00:44:35.874 --> 00:44:37.876
Bueno,
checas qué ocupas de vestuario

00:44:37.918 --> 00:44:40.170
para esta semana,
por favor, ¿ok?

00:44:41.797 --> 00:44:43.548
Bueno, lo del 5 ya.

00:44:44.633 --> 00:44:46.009
5 de noviembre...

00:44:46.593 --> 00:44:49.346
- 5 de noviembre es viernes.
- Música sacra.

00:44:49.805 --> 00:44:52.391
- No, música sacra es el 10.
- No.

00:44:52.391 --> 00:44:53.809
El 5 es lo del Degollado.

00:44:54.101 --> 00:44:55.435
Ah, sí, perdón.

00:45:29.803 --> 00:45:31.471
Así que es pianista...

00:45:31.471 --> 00:45:32.953
Es pianista ese joven

00:45:32.978 --> 00:45:35.267
y nos ha representado
a nivel internacional.

00:45:35.267 --> 00:45:39.354
Ha ganado concursos en Tokio,
en Viena, en Canadá.

00:45:39.354 --> 00:45:42.190
Es Premio Nacional
de la Juventud.

00:45:42.691 --> 00:45:45.068
Ya cuando estaba armando
todo el concierto,

00:45:45.068 --> 00:45:47.571
en realidad ya
conocía bastante bien

00:45:47.571 --> 00:45:49.698
los recursos de David.

00:45:49.740 --> 00:45:52.617
- Su movilidad y limitaciones.
- ¿Ahí está bien?

00:45:52.617 --> 00:45:56.913
Por ejemplo, la mano derecha
es la que está más restringida.

00:45:57.247 --> 00:46:00.542
Entonces, él, cuando mucho,
toca dos notas seguidas...

00:46:01.877 --> 00:46:03.962
con la mano derecha,
o sea, puede tocar...

00:46:04.796 --> 00:46:07.424
obviamente pone dos o
tres deditos juntos y...

00:46:08.842 --> 00:46:10.677
y toca muy fuerte y muy hábil,
pero así.

00:46:10.719 --> 00:46:13.096
Así, ¿no?

00:46:13.096 --> 00:46:16.349
Pero varias notas,
solamente dos.

00:46:19.186 --> 00:46:20.312
Solamente de dos en dos.

00:46:20.353 --> 00:46:24.691
Pueden ser seguidas
o alternadas, ¿no?

00:46:25.192 --> 00:46:27.611
Ya una cuarta,

00:46:27.611 --> 00:46:30.071
ya es muy abierto para él,
en la mano derecha.

00:46:30.238 --> 00:46:33.617
Y la izquierda, que es la que
tiene más posibilidades...

00:46:34.201 --> 00:46:36.495
de todas maneras,
lo que más alcanza es una sexta.

00:46:36.995 --> 00:46:41.583
Entonces, ya conociendo eso,
usas un poquito más la izquierda

00:46:42.209 --> 00:46:45.086
y a esta le pones,
cuando mucho, dos notas.

00:46:47.798 --> 00:46:49.424
Y con esos recursos te mueves.

00:46:49.716 --> 00:46:52.219
Casi nada, muy, muy poquito.

00:47:02.771 --> 00:47:04.815
El "Concierto para
Piano a Ocho Dedos"

00:47:04.815 --> 00:47:08.276
lo he hecho con un propósito
de desafiar a David, ¿sí?

00:47:08.276 --> 00:47:10.445
Es un reto nuevo para él.

00:47:10.445 --> 00:47:12.614
Nunca ha tocado
con una orquesta.

00:47:26.294 --> 00:47:28.421
Ok, muy bien.

00:47:28.421 --> 00:47:31.049
- Creo que sí, ¿verdad?
- Está muy padre, sí.

00:47:31.883 --> 00:47:33.677
¿Qué más?

00:47:49.234 --> 00:47:50.944
Estos prietitos me los como.

00:47:55.490 --> 00:47:57.951
Oye, pues a Paty le queda
muy cerca el concierto.

00:47:57.993 --> 00:47:59.911
Es por sus rumbos.

00:47:59.953 --> 00:48:01.705
- ¿Verdad?
- Sí.

00:48:01.997 --> 00:48:03.373
Se ven ricos.

00:49:02.265 --> 00:49:05.435
Pues mira, ahora te traje
un surtido de todas.

00:49:06.519 --> 00:49:10.440
Este... de la crunchy,
natural, arándano.

00:49:10.815 --> 00:49:12.317
Estamos en contacto.

00:49:19.407 --> 00:49:23.161
Huevito revuelto

00:49:53.566 --> 00:49:56.736
- ¿Qué pasó, mi David?
- ¿Qué pasó, papu?

00:49:59.155 --> 00:50:01.741
¡Ah! Apagaste el
despertador y no lo oíste.

00:50:01.825 --> 00:50:03.451
Hijo.

00:50:03.994 --> 00:50:05.412
A levantarse, ándele.

00:50:11.960 --> 00:50:15.255
Ándele, joven.
Ya vamos a tocar.

00:50:35.358 --> 00:50:37.110
Como el clarinete no lo oyes,

00:50:38.445 --> 00:50:40.488
te vas a tener que
basar en el chelo.

00:50:41.865 --> 00:50:42.991
¿Sí?

00:50:42.991 --> 00:50:46.202
Y en la dirección, pero,
si acaso, vas a oír el chelo.

00:50:52.292 --> 00:50:54.252
Ya me moviste el tempo.

00:50:55.795 --> 00:50:57.380
Mantén el tempo.

00:50:57.380 --> 00:50:58.423
Se me hace que...

00:50:58.423 --> 00:51:00.759
Dale una caminada aquí
para que te despiertes.

00:51:01.509 --> 00:51:02.677
¿Eh?

00:51:03.303 --> 00:51:05.472
En serio, hijo. Actívate.

00:51:05.472 --> 00:51:07.724
¿No quieres moverte
tantito así o algo?

00:51:08.349 --> 00:51:09.768
Estás medio dormido.

00:51:41.091 --> 00:51:43.093
Las dos.

00:51:45.804 --> 00:51:46.846
Allá.

00:51:46.971 --> 00:51:48.056
¡Allá!

00:51:55.438 --> 00:51:56.606
¡Duro!

00:51:57.315 --> 00:51:58.358
¡Duro!

00:51:59.901 --> 00:52:01.194
Eso. A ver, otra vez.

00:52:01.194 --> 00:52:02.445
Quiero que le des con todo.

00:52:03.404 --> 00:52:04.656
Ahí puedes darle fuerte.

00:52:19.087 --> 00:52:21.005
Un, dos tres y...

00:52:22.715 --> 00:52:24.050
Suelto.

00:52:32.976 --> 00:52:33.977
Muy bien.

00:52:34.018 --> 00:52:35.103
Ay, ya vámonos.

00:52:46.489 --> 00:52:49.659
Vamos rápido para calentar,
¿no?

00:52:50.368 --> 00:52:53.329
Ahorita tienes un poquito
de tiempo de calentamiento.

00:53:16.978 --> 00:53:19.230
Se me traba un poco
el dedo con el...

00:53:20.773 --> 00:53:22.108
¿Dónde te duele?

00:53:25.195 --> 00:53:26.279
¿Aquí abajo?

00:53:26.279 --> 00:53:27.947
- ¿Eh?
- Abajo, aquí.

00:53:28.907 --> 00:53:31.868
O sea para tocar con el dedo,
toco con esto.

00:53:34.454 --> 00:53:35.946
Pero, ¿ves que sí estudio?

00:53:35.970 --> 00:53:38.041
Tú dices,
"Ay, no, casi no ensayas".

00:53:38.875 --> 00:53:41.836
Ya hasta me sangran los dedos.

00:54:59.747 --> 00:55:02.041
El primero de tres.

00:55:03.626 --> 00:55:05.670
Ha sido un gran reto...

00:55:05.670 --> 00:55:07.880
esta obra que ha
compuesto mi papá para mí

00:55:07.880 --> 00:55:10.216
porque no escucho muy bien.

00:55:10.675 --> 00:55:13.761
A veces los sonidos se mezclan,
se combinan

00:55:13.761 --> 00:55:16.264
y ya dejo de escuchar
unos instrumentos.

00:55:22.687 --> 00:55:24.439
Ven, hazte tantito para acá.

00:55:25.773 --> 00:55:28.067
En realidad no es necesario
un acento tan fuerte,

00:55:28.067 --> 00:55:29.842
pero,
¿sabes qué es lo necesario?

00:55:29.866 --> 00:55:31.529
Que sí sepas dónde es el uno.

00:55:44.000 --> 00:55:45.001
Más o menos.

00:55:51.924 --> 00:55:53.718
Entonces, ¿ya me voy?

00:56:50.358 --> 00:56:52.068
Hola, Ernesto, ¿cómo estás?

00:56:52.652 --> 00:56:55.780
Oye,
fíjate que nos acaban de avisar

00:56:55.780 --> 00:56:58.366
que se va a tener que
posponer el concierto.

00:56:58.991 --> 00:57:00.451
Hasta nuevo aviso.

00:57:01.494 --> 00:57:03.663
Por lo del confinamiento,
ya ves.

00:57:04.664 --> 00:57:06.416
Eh... pues...

00:57:06.416 --> 00:57:09.168
Ahora sí que esperemos
que esto pase pronto y...

00:57:09.877 --> 00:57:11.796
y, bueno, que podamos retomar.

00:57:14.549 --> 00:57:16.467
Pues,
nada, seguimos en contacto y...

00:57:17.677 --> 00:57:18.803
hasta pronto.

00:57:38.156 --> 00:57:40.324
- ¿Qué onda? ¿Cómo estás?
- Buenas.

00:57:40.324 --> 00:57:42.452
- Qué bueno, adelante.
- Gracias.

00:58:39.258 --> 00:58:41.802
Buenas tardes,
Teatro Degollado a sus órdenes.

00:58:41.802 --> 00:58:43.930
Sí, buenas tardes,
¿se encuentra Edith?

00:58:44.305 --> 00:58:45.598
A sus órdenes.

00:58:45.598 --> 00:58:49.685
¿Qué tal? Habla la señora
Cristina Ladrón de Guevara.

00:58:49.685 --> 00:58:52.480
- ¿Cómo está, señora?
- Muy bien, gracias. ¿Y tú?

00:58:53.687 --> 00:58:54.866
Afortunadamente,

00:58:54.890 --> 00:58:57.443
de aquí a lo que
resta del año la agenda está...

00:58:57.443 --> 00:58:59.737
- Full.
- Sin exagerarle, al 100%.

00:58:59.737 --> 00:59:02.281
Pues es que,
oye, tanto tiempo, meses,

00:59:02.281 --> 00:59:03.908
casi, casi un año sin nada.

00:59:03.950 --> 00:59:06.077
Sí, ya tiene desde noviembre.

00:59:06.077 --> 00:59:07.841
Sí, no. Es que la verdad,

00:59:07.865 --> 00:59:10.623
sí se ocupa que se
vea mucha formalidad

00:59:10.623 --> 00:59:12.816
y que salga todo súper bien

00:59:12.841 --> 00:59:14.418
porque la verdad
que vale la pena.

00:59:14.418 --> 00:59:17.380
O sea,
es el estreno internacional

00:59:17.380 --> 00:59:21.008
del "Concierto para
Piano a Ocho Dedos".

00:59:21.008 --> 00:59:23.928
Jamás se ha compuesto
una obra así, ¿verdad?

00:59:23.928 --> 00:59:25.763
Por un compositor
de aquí de Jalisco.

00:59:25.763 --> 00:59:26.806
Entonces,

00:59:26.806 --> 00:59:28.548
sí queremos que
salga todo excelente

00:59:28.573 --> 00:59:30.234
para que quede un precedente...

00:59:30.977 --> 00:59:33.563
en el Teatro Degollado
con la Filarmónica...

00:59:33.563 --> 00:59:35.773
para luego poder
nosotros proyectar esto

00:59:37.191 --> 00:59:38.901
con diferentes
orquestas del mundo.

00:59:39.819 --> 00:59:42.113
3-0, medio tiempo.

00:59:50.079 --> 00:59:51.664
A ver, ¿te acuerdas de aquí?

00:59:58.921 --> 00:59:59.922
¿No?

01:00:03.134 --> 01:00:04.677
¿De qué te acuerdas, pues?

01:00:05.970 --> 01:00:07.972
¿De esto?

01:00:08.639 --> 01:00:09.682
Nel.

01:00:14.645 --> 01:00:16.522
Ahí espérame, todavía no.

01:00:17.273 --> 01:00:19.817
Ahí tienes que esperarme
dos tiempos y...

01:00:21.944 --> 01:00:23.279
¡Y!

01:00:23.279 --> 01:00:25.406
Ahí mero. Un y...

01:00:27.158 --> 01:00:29.410
No, no. Dos tiempos.

01:00:30.536 --> 01:00:31.579
Otra vez y...

01:00:32.163 --> 01:00:33.873
Ahí, pero vamos juntos.

01:00:35.124 --> 01:00:36.250
Corta el sonido.

01:00:36.917 --> 01:00:38.002
Tres y...

01:00:42.048 --> 01:00:44.133
- Hijo, no estás contando.
- ¿Eh?

01:00:44.133 --> 01:00:45.384
No estás contando.

01:00:48.012 --> 01:00:49.055
¡Eso!

01:00:52.433 --> 01:00:53.851
A ver, ¿qué pasó ahí?

01:00:55.478 --> 01:00:57.855
Las notas. Las not...

01:00:58.022 --> 01:00:59.607
Las notas, hijo.

01:01:02.485 --> 01:01:04.111
Si aquí lo escuchamos claro,

01:01:04.111 --> 01:01:06.030
se va a escuchar
claro en el piano.

01:01:09.033 --> 01:01:10.034
Mucho mejor.

01:01:10.701 --> 01:01:12.495
Y aquí, totalmente así...
Voltea.

01:01:16.499 --> 01:01:18.292
¡Hazte para allá!

01:01:21.629 --> 01:01:22.963
Otra vez, otra vez.

01:01:23.881 --> 01:01:26.300
Sí, pero está muy metrónomo.

01:01:28.302 --> 01:01:30.346
'Péreme, todavía no digo.

01:01:33.391 --> 01:01:36.143
Entonces,
¿esto cómo lo percibes?

01:01:36.143 --> 01:01:37.687
¿Qué hay que hacer
con esas notas?

01:01:42.233 --> 01:01:43.609
Una octava más abajo.

01:01:52.034 --> 01:01:53.119
Eso.

01:01:58.332 --> 01:02:00.334
...dos y...

01:02:15.224 --> 01:02:17.727
Ok,
un buen de trabajo por delante.

01:02:20.688 --> 01:02:23.524
Pero fue buena labor
de reconstrucción.

01:02:24.483 --> 01:02:26.110
Muy bien.

01:02:26.569 --> 01:02:28.821
- A descansar un rato, ándele.
- Gracias.

01:03:06.984 --> 01:03:08.235
Listo.

01:03:08.235 --> 01:03:09.695
Date una alisadita, ¿no?

01:03:11.071 --> 01:03:12.490
Hijo, que lo disfrutes.

01:03:12.740 --> 01:03:13.783
Disfrútalo mucho.

01:03:19.830 --> 01:03:20.873
¿Listo?

01:03:21.957 --> 01:03:23.000
Pues sí.

01:03:31.217 --> 01:03:33.260
Te damos gracias, Señor,

01:03:33.260 --> 01:03:36.472
ponemos todo en tus manos
y que tú seas glorificado.

01:03:37.097 --> 01:03:38.182
Amén.

01:03:57.243 --> 01:04:00.913
Con toda la confianza
en lo que aprendiste.

01:04:00.913 --> 01:04:04.708
Cuando uno está ahí,
cualquier error pequeñito

01:04:04.708 --> 01:04:06.961
tiende uno a acrecentarlo.

01:04:07.503 --> 01:04:10.130
Lo importante es continuar...

01:04:10.130 --> 01:04:11.924
mirando...

01:04:11.924 --> 01:04:13.843
hacia la meta.

01:04:13.843 --> 01:04:16.136
Olvido lo que queda atrás.

01:04:16.136 --> 01:04:19.139
Ese es nuestro lema al estar
ahí en el escenario, ¿eh?

01:13:36.405 --> 01:13:38.824
David está madurando
como persona,

01:13:38.824 --> 01:13:40.200
como individuo.

01:13:41.159 --> 01:13:43.078
Él ya es independiente.

01:13:43.078 --> 01:13:44.704
No me necesita para

01:13:44.704 --> 01:13:47.124
seguir haciéndose
de repertorio.

01:13:48.792 --> 01:13:51.294
Entonces,
va a definir su perfil

01:13:51.294 --> 01:13:53.213
y su rumbo más personal.

01:13:53.380 --> 01:13:55.590
Él tendrá que darle su toque

01:13:55.841 --> 01:13:58.635
a lo que él va a
hacer con la música.

01:14:14.276 --> 01:14:17.779
A continuación,
David González de México

01:14:17.779 --> 01:14:21.283
interpretará "Himno
de Esperanza"

01:14:21.283 --> 01:14:24.244
que él mismo ha compuesto.

01:14:24.244 --> 01:14:25.829
Adelante, David.

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Concerto for Other Hands

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