Esther Broner
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Prolific writer, passionate activist, dedicated scholar and pioneering feminist, Esther Broner infused second wave feminism with a distinctive Jewish voice. In the mid-1970s, as the women’s movement was vastly changing views on gender and equality, Broner created a radical new Haggadah (the text for the Passover service seder) that preserved but reimagined Jewish rituals and culture by shifting the focus onto women. Transforming the male-centered service into a powerful reclamation of women’s lives and stories, it became, under Broner’s leadership, the basis for a Jewish feminist tradition that continues today.
This inspiring documentary by acclaimed filmmaker Lilly Rivlin revisits Broner’s richly engaged political, artistic and spiritual life through archival photos, video footage spanning several decades, and interviews with family and friends, including Gloria Steinem, Bella Abzug, Grace Paley, and other famous feminists. Drawing its title from one of Broner’s celebrated novels, the film helps explore the intersection of feminism and religion, and helps answer the question, is there room for feminism and religious tradition in a traditionally male dominated space?
Citation
Main credits
Rivlin, Lilly (film director)
Rivlin, Lilly (screenwriter)
Rivlin, Lilly (narrator)
Murphy, Margaret (film producer)
Murphy, Margaret (screenwriter)
Sullivan, Ruth (screenwriter)
Rapaport, Pola (narrator)
Other credits
Editor, Jonathan Marx; music, Kyle Casey Chu; cinematography, Jonathan Marx.
Distributor subjects
Jewish Studies; Literature; Women's MovementKeywords
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This book then is a story of the birth of
Sinha's daughter.
00:23.739 --> 00:26.870
It is of the births of other daughters, of the
piercing of women.
00:27.489 --> 00:32.369
It is a story of women who are born in, or who
arrived in the land of women who are
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ceremonious and correct with each other.
00:35.750 --> 00:39.950
We celebrate sermons and birthrights, and death
rights and sacrificial rights.
00:40.069 --> 00:42.220
Exodus and exorcism rights.
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It is the story of sanity and madness in the
house of women.
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Each spring, during Passover, Jews sit down for
a ritual meal
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called a seder.
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The text is the Haggadah which tells of the
exodus of the ancient Israelites from Egypt.
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It is written in the Bible.
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Tell your sons of the liberation from slavery
in Egypt as if it were happening to you.
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The Seder, like all Jewish rituals, is led by
the man of the house.
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Synagogues were not our home.
Everything—the prayers,
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the language, the customs—everything excluded
us, whether sadly or not so subtly.
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Depending on which form of Judaism, but we were
excluded.
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It wasn't our own.
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By the mid 1970s, change was in the air.
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Women were marching in the streets, demanding
equality.
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Jewish women started to take their place within
traditional rituals.
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At the same time, another group of Jewish women,
led by Esther Broner, held the first feminist
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seder.
It brought a women's perspective to an ancient
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story of oppression, freedom, and liberation.
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These women were grasping the tradition
aggressively, personalizing the ritual and
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making it their own.
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Who was this woman who stood up to thousands of
years of Jewish tradition to create a feminist
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seder?
What chutzpah.
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Better, OK, 12.
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In the traditional Seder, there is no place for
spontaneity.
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One person at the head reads it rapidly, in a
language no one understands,
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and then it's finished.
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When women do it, it's so thoughtful, it's so
holy, um,
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it's so far reaching and it's so connected and
touching that all of us leave,
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um, I think enlarged.
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All right.
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I feel that my role in life is to record, and I
am recording this Seder.
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That was me in 1984.
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Now I am telling the story of Esther Broner and
the weave of women.
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I was sitting next to Esther, who led the Seder.
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Look at us.
We were all young and beautiful then.
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The first women's Seder was held in 1976.
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I became a Seder sister in its second year.
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Then Esther named three accomplished Seder
mothers.
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Bella Abzug served in the US House of
Representatives.
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Grace Paley was a distinguished author and
activist, and Gloria Steinem was known by
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everyone as the modern face of feminism.
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Seder means order.
The order of doing things,
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and the traditional Seder begins with a song
like the table of contents,
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but women always begin before the traditional
order.
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The traditional order begins when men sit down
at the meal.
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Women begin with cleaning the house.
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Women begin with cutting up the vegetables, so
women have a very different order.
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I will ask you.
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Uh, during this time, to think of what it is
that, what are the crumbs,
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what is it, what is the bitterness, what is it
that you want to get rid of this past year in
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your lives, and personally, I'd like to burn.
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The thing in me that makes me not be able to
live in the present but always look to the
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future.
I would like to burn my fearfulness and the
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fearfulness of all women.
I would like to burn the, uh,
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the, uh, products of the patriarchal system
that continues to oppress, uh, women
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and minorities, uh, much as the Pharaoh did the
Jews, and, uh, what do I want to
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burn inside of me?
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the smell.
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There I am in the spring of 1994.
I'm sitting with an illustrious group of women,
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and she asks the opening question, um, what
Hamitzot do you want to rid yourself of this
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year?
I talked about how very much I wanted to be
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able to put stuff in perspective and be able to
go on and started weeping powerfully.
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And then all of a sudden I felt this hand on my
back and being comforted, and I looked around.
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And there sitting next to me was Gloria
Steinem, who didn't know me, and to me that was
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emblematic of what the Seders represented, um,
about women supporting women.
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We were all Jewish feminists.
The question that Esther posed for us was,
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do we find a place for ourselves within the
Jewish tradition, or remain outside?
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We have a choice if we're going to be secular,
profane, or if we're going to be religious,
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but do we want to be part of the mythic structure, part of
the theological structure,
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or do we want to be sent out of the tent like
Miriam?
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That moment of am I gonna change this or am I
gonna leave is, I think, a
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really important moment for women and anybody
who feels themselves up against a tradition
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that often does not seem to want them involved.
I understand the desire to throw the book
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against the wall.
I understand the desire to say these tents are
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not mine.
Then I read the feminist Haggadah by Naomi
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Nimrod and Esther Broner.
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I was thrilled.
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Here was the Seder completely transformed.
Every tradition,
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every custom, every practice turned inside out
and made loving and
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whole with women at its heart.
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In 1975, I was pregnant with my daughter Ruth,
and Esther was here in
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Israel.
Esther had this wonderful idea to have a
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revolutionary Seder that she'd invite all her
friends.
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But would change the order of things, all the
men who were invited,
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who were preparing the food, and all the women
were studying the text that we were going to
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talk about on that night, sitting, reclining,
and telling the story.
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The Seder was wonderful.
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The food that the men prepared was OK, but we
were mainly excited by the
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texts.
Esther and I, after the Seder, were so excited.
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Liking each other's texts, that we decided we
must get together,
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search and research and learn the history.
We wanted to find out more about
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Miriam, about all the women who went down to
Egypt.
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We read the Yerushalmi and the Bavli.
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We read the Bible there and back.
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My father had just died, and we used his library,
and my mother gave us drink and food.
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Asking us, Esther normally, what are you doing?
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What are you writing?
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The Haggadah is already written.
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What are you trying to find in all these big
old books?
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And when we realized that my mother, who was
used to the conventional Seder,
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slowly
was approaching us.
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And wanting to take part with us.
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Looking for pictures, looking for the women who
took part in the first exodus.
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Then we knew we were onto something, something
real that we.
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Reached other people, other women, not only us,
it was not only our crazy idea.
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But people will understand, the women will
understand.
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Out of the mouth of the spider comes a thread,
a hair's breadth that captures dew,
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lasso's life, fabricates until the woven and
the weaver are one.
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Those of us who gathered for the first
feminists' Seder,
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we understood that the equality we were
fighting for in society had to extend to
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the traditions of Judaism.
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When we walked through the desert, by and large,
we left no footprints.
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So it's time to go back again and, uh,
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find something out about the original exodus,
which didn't mention women.
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It says in Exodus you strike this and this
and this,
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and you go inside and you stay till it's over,
and we declare this a safe and sacred place.
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No oppressor will get you.
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But Esther and the rest of us who were the
creators of the Seder contributed a
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um perspective of an educated Jewish woman.
We all had satin shoes for hours and hours
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throughout our childhood.
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We knew what we were starting with.
We had the clay.
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We reshaped it.
I think we put together secular feminism and our
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Jewish traditional education; we were the right
people at the right moment in time.
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It wasn't just a potluck of women getting
together and doing the rituals that men usually
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do.
It was transformative because it was a freshly
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created, literary, Jewish practice.
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Oh, kitty.
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Let's see.
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Oh, yeah.
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Yeah, but.
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She be.
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So,
I think at the first day we all knew we were
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participating in something really special and
at that point it seemed like rebellion.
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I mean, you know, because clearly we were doing
what we weren't supposed to be doing,
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uh, I had never been to a Seder before in my
life.
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I had no idea that it was going to become such
a huge tradition.
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The Seder felt like the community I had always
wished for.
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Each year, we would choose a different theme,
but our topics were often political.
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We were all activists and knew that the
political is personal.
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We brought into our Seder stories of heroic
women.
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Esther invited women from the new crop of
rabbis and cantors coming out of the seminaries.
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We welcomed our daughters, the new generation.
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People were struck by Esther's poetry and her
magical vision,
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took it into themselves and made it their own.
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It was the first time really that we had a way
of owning Jewish practice.
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We map our bodies.
We're making new trails and,
14:09.549 --> 14:14.030
and, uh, new tracings.
There have been very few tracings of ourselves.
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Uh, tombstones are often blank where wives, uh,
uh, are,
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are on them.
They often don't have names.
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I feel though that I have to put names on those
who died, as well as,
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uh, those living.
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We spoke of our mothers.
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And of our stolen legacy.
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In Jewish tradition, male lineage dominates
your identity.
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You are the son.
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Of the son of the son.
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In the feminist Seder, we introduced another kind
of consciousness.
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She was the one who came up with naming
ourselves by our matrilineage,
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and I have seen this in Jewish group after
Jewish group when women are together and they
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say I am Susan, but Opal, but Re, but Ida, my
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grandmother, whose name was Rose Naman when she
was in her 50s after.
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Being depressed for many years and being unable
to cope with the prisons of her life,
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she killed herself, and this might have
prevented that.
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To bring again into the presence, into the room,
into my consciousness, women who only served and
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cooked and stayed in the kitchen, those women,
I want to name them,
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and I know all of us get choked up when we name
our matrilineage.
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Allison, but Henrietta, but um, Hilda and um.
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That's what a cut
the feminists say is an amazing form to
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be able to encourage.
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Women to relate to Judaism and in ways that are
that work for for them,
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the more that women can be encouraged to come
into the tent,
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The better.
We always have, as part of our theme, a sort
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of a midrashic go-around where everyone at the
table, or in our case on the floor, contributes
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something to a theme that we all have met in
advance to determine, even electoral politics.
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So there's always a degree of consciousness
about the world outside of the Seder table.
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If we had succeeded, there would be no poverty
in America.
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But
there's terrible poverty and we are not
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marching on Washington.
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It gave everybody a chance to speak and
everybody a chance to listen,
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which is crucial.
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This notion of being in the desert for 40 years
that the generation born in slavery
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needed to die off because of the consciousness.
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That they were raised with, that they were not
prepared to accept.
17:16.198 --> 17:21.338
Freedom, hope and despair are things that I
know well.
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This is my first Seder in freedom in 20 years,
and I feel
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overwhelmed at the beauty and joy of it, and
part of the hope has
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been always for me that one day I would come to
this Seder.
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This Seder, for me, was where I found my
political voice as a Jewish woman.
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By listening and learning from everybody at the
table,
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it empowered me to speak my voice.
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And to know from such a young age that it is OK
to articulate my opinion.
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To be careful about that, to think about
that, and to use my voice.
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The first voice I heard was in Yiddish, and I
understand that my grandmother had to make the
18:07.650 --> 18:13.609
mailman a heroic character, had to make the
shopkeeper somebody saintly because she had to
18:13.609 --> 18:20.170
add legend to an unbearable past, and I began to
understand that fiction is just
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fact with magic added to it.
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She was first generation, born to Russian
parents, raised in Detroit,
18:34.359 --> 18:40.729
Michigan.
She met my father in college.
18:40.819 --> 18:46.209
The way she tells it, my mother started college
just before her 16th birthday,
18:46.459 --> 18:50.560
finishing early, and she saw this very handsome
man,
18:50.699 --> 18:54.380
who was older and indeed a grad student at a
coffee shop.
18:55.800 --> 19:02.579
And so she sat and drank sodas and almost
flunked out of her first semester watching this
19:02.579 --> 19:03.599
very handsome man.
19:05.630 --> 19:10.989
They slowly became acquaintances.
He did not date her because she was considered
19:10.989 --> 19:15.219
too young, and over time, they were both at
Wayne State University.
19:15.469 --> 19:18.660
My father was in the art department, my mother in
the English department,
19:19.030 --> 19:24.589
and over time they got to know each other and
so they dated and very quickly became engaged.
19:24.589 --> 19:28.510
They were married.
They came to New York actually before having the
19:28.510 --> 19:33.949
kids; their first years in New York were
as artists and activists.
19:34.094 --> 19:40.864
Um, her really moving towards realizing she was
gonna be a writer and developing that, and my
19:40.864 --> 19:47.584
father beginning to continue his skills and
beginning to have his shows in New York and
19:47.584 --> 19:49.094
move the career forward.
19:53.030 --> 19:55.939
A few years in, my mother got pregnant with my
sister.
19:56.150 --> 20:02.550
She had her first, and 13 months later I had twins;
or as my mother told my father as he collapsed
20:02.550 --> 20:06.229
crossing the street, she went like this and he
said,
20:07.119 --> 20:12.959
Victory, and she said 2 for twins, which became
the name of one of the books that they
20:12.959 --> 20:19.569
collaborated on.
EM Broner, as she is best known,
20:19.819 --> 20:24.329
is a novelist, playwright, ritualist, and a
leading feminist writer.
20:24.579 --> 20:27.780
She's the author of many books including The
Women's Haggadah,
20:28.020 --> 20:32.339
Weave of Women, The Telling, the story of a
group of Jewish women who journeyed to
20:32.339 --> 20:38.260
spirituality through community and ceremony.
Her latest work is the novel The Red Squad.
20:39.619 --> 20:43.040
There were black brothers, and they all spoke
of fires.
20:43.170 --> 20:47.239
He tabs thrown into the camp garbage to burn,
looting children,
20:47.449 --> 20:53.449
women and children running from burning
villages, bodies blown away with C4 anywhere in
20:53.449 --> 20:58.119
Vietnam, a free fire zone, setting a dead boy
up against a tree,
20:58.449 --> 21:01.599
putting a cigarette in his mouth, a hat on his
head.
21:01.900 --> 21:04.170
What we do to men, we do twice to women.
21:11.140 --> 21:17.939
She was always such an activist and so much
about fairness and community and really
21:17.939 --> 21:20.250
wanting to change things in the world.
21:21.959 --> 21:28.680
That idea of fairness and activism and shock at
the treatment of people whether it was
21:28.680 --> 21:35.550
women or African Americans or Jews before
children; they were in Alabama for about a year.
21:35.550 --> 21:37.989
She was stunned at segregation.
21:38.199 --> 21:39.969
It never occurred to her.
21:40.400 --> 21:45.630
She was very active in the civil rights
movement and on many of the marches.
21:46.589 --> 21:50.689
They were gonna fire my father because she had
an African American come in through the front
21:50.689 --> 21:53.589
door, so what she did is she blocked off the
door.
21:53.689 --> 21:59.250
Now this is a 19 year old; she broke the front
door so that everybody had to enter the back
21:59.250 --> 22:04.890
door of the house.
In the 1960s, a movement to protest the war in
22:04.890 --> 22:07.130
Vietnam was sweeping the country.
22:08.099 --> 22:11.530
Our students really began the anti-war movement.
22:11.739 --> 22:14.130
My husband and I both taught at the university.
22:14.500 --> 22:18.699
It was a time of great democracy in the
teaching since we're learning from the students.
22:18.699 --> 22:25.660
And their activism, uh, inspired us, but one
didn't think of danger
22:25.660 --> 22:30.780
so much.
And that was a time of great excitement,
22:31.030 --> 22:35.260
great energy, which I hope we bring into the
future.
22:35.739 --> 22:38.579
Then the women's movement exploded.
22:43.270 --> 22:47.770
There were cover stories in Life Magazine,
Newsweek, Time Magazine,
22:47.900 --> 22:54.400
Esquire, all on Women are Revolting, you know,
the double meaning of women are revolting.
22:54.859 --> 23:01.140
Confronting the issues facing women was a
natural progression for Esther's activist
23:01.140 --> 23:06.160
spirit.
I sent students on the Jane route in Chicago
23:06.650 --> 23:08.170
for necessary abortions.
23:09.489 --> 23:15.209
It, it was so much more dangerous for these
young girls to have these babies when they had
23:15.209 --> 23:17.810
no jobs and no money and no resources.
23:22.609 --> 23:25.969
Esther's passion for justice never diminished.
23:26.180 --> 23:32.400
In fact, it once got in the way of picking up
her dear granddaughter Alexandra from school,
23:32.650 --> 23:36.619
or, as she used to refer to her, Alexandra the
Great.
23:37.780 --> 23:42.890
I want to say that it was after the Amadou
Diallo shooting I'm sitting inside Heschel,
23:42.900 --> 23:47.160
and it's like after 6 o'clock and everyone has
left and Grandma's still not there.
23:47.410 --> 23:53.589
Grandma had been arrested protesting; a whole
group of older Jewish women were arrested and
23:53.589 --> 23:54.810
they were all put in the van.
23:55.310 --> 24:00.630
Um, to be taken to the precinct, some of them
had arthritis and the cuffs were hurting.
24:00.709 --> 24:04.630
One had really low blood sugar and she needed a
donut, so they had to go to Dunkin' Donuts and
24:04.630 --> 24:08.219
then they got them all coffee and it was just
an amazing,
24:08.640 --> 24:14.349
an amazing story that no matter how old you are,
you act and you fight for what you think is
24:14.349 --> 24:18.930
right.
I now understand that Esther had a dialogue
24:18.930 --> 24:22.160
with history.
We have to march in front of places.
24:22.209 --> 24:28.680
I, I don't want to be, uh, invisible anymore.
I don't even wanna be somewhat visible.
24:28.969 --> 24:30.880
I, I think I wanna be heard.
24:31.130 --> 24:37.810
I wanna be, I want my voice very loud and I
want us to figure out what we can
24:37.810 --> 24:39.530
do for that to happen.
24:40.060 --> 24:42.760
I mean, if you had thoughts of where we would
be by now,
24:42.839 --> 24:47.079
of what that women's movement that you helped
to begin, um, would bring us,
24:47.359 --> 24:50.069
uh, how is the current moment shaping up?
24:50.439 --> 24:53.589
I was sure we'd have socialism at the least.
24:58.760 --> 25:01.760
Even now, I'm wondering what they're
waiting for.
25:03.790 --> 25:06.819
I never thought the rich would get richer and
the poor poorer.
25:07.369 --> 25:09.250
That's not what we were studying for.
25:12.349 --> 25:18.430
Ritual is the exhaled breath weaving with
thread, marking a space of our own.
25:20.369 --> 25:24.020
I insist that we are an important part of
ritual.
25:24.250 --> 25:25.349
Women are not considered.
25:26.099 --> 25:29.500
As an important part, as I would like them to be.
I think that we are the leaders.
25:29.859 --> 25:34.609
I think since we are in the home and holidays
like Pesach take place in the home,
25:34.660 --> 25:37.010
it is up to us to conduct the Seder.
25:38.189 --> 25:40.170
N has a
25:47.239 --> 25:52.199
And so
25:55.839 --> 26:00.000
All of us list the plates together, and when we
say it, in English for each plate,
26:00.079 --> 26:05.939
we dip our finger into our cup and touch our
finger to our plates.
26:07.890 --> 26:09.739
So, yes.
26:14.300 --> 26:20.619
From the very beginning of the feminist Seder, we
have taken the givens of the Haggadah,
26:20.780 --> 26:27.150
the absolute staples: the four questions, and
the plagues. We always interpreted the
26:27.150 --> 26:34.109
plagues as the oppression of women, the
hardships, the adversity.
26:34.579 --> 26:39.760
The struggles of women. We used to call them out
and list them on an old tag and put them on the
26:39.760 --> 26:44.739
wall.
Starting with Gina, each person to read a plague.
26:48.180 --> 26:53.099
Women see blood in the water every 28 days or
so, and until we're ready to procreate,
26:53.140 --> 26:57.339
we actually welcome it.
But when we face an unplanned pregnancy as a
26:57.339 --> 27:03.060
result of a mistake or a failed contraceptive,
we must be able to consult with our conscience,
27:03.219 --> 27:07.030
our partner, our doctor, or our rabbi about
whether to continue it.
27:07.579 --> 27:09.579
The choice must be ours.
27:11.390 --> 27:17.770
Cattle disease.
This affliction strikes girls at young ages.
27:17.930 --> 27:23.969
It comes from being herded like cattle into a
one-size-fits-all beauty ideal
27:23.969 --> 27:29.920
that totally distorts women's perception of a
healthy female body image.
27:30.260 --> 27:32.520
It's the plague of self-loathing.
27:33.770 --> 27:39.800
Vermin: they're the men and sometimes women who
try to keep us submissive and subjugated.
27:39.930 --> 27:45.410
They're the right-wing religious fanatics who
would roll back the political and economic
27:45.410 --> 27:49.170
advances we've fought for these past 40 years.
27:50.530 --> 27:54.359
Look at this panel.
I don't see one single woman.
27:54.689 --> 27:56.219
Where are the women?
27:57.670 --> 28:00.770
Yeah, can you, yeah.
28:01.739 --> 28:08.569
Our tent expanded, and the Seder became so
popular that we had to choose whom to invite.
28:09.180 --> 28:12.930
Well, this led to tensions among the Seder
sisters.
28:13.060 --> 28:18.859
Esther wanted to invite notables, and some of
us wanted to invite friends and relatives.
28:20.109 --> 28:26.900
Well, I remember the drastic year when the, the
Seder's mothers and the Seder sisters fell
28:26.900 --> 28:33.270
into a bitter dispute over how big the Seder
group should be and who should be invited.
28:33.310 --> 28:37.780
It was an annual battle, but this
year was cataclysmic.
28:38.109 --> 28:45.020
We were protagonists and antagonists, and people
were driven mad by Esther's refusal to
28:45.229 --> 28:48.750
be combative.
Esther would not fight.
28:48.920 --> 28:50.880
This was a great weakness of hers.
28:52.170 --> 28:58.199
People stomped off unsatisfied, and some never
returned to the feminist Seder.
28:58.410 --> 29:01.579
We had lost some of the original radical
impulse.
29:02.890 --> 29:06.869
Petty squabbles interfered with our high-minded
purpose.
29:07.810 --> 29:12.439
I had hoped that women could be different after
all, if we,
29:12.479 --> 29:16.949
the peacemakers couldn't work out our conflicts.
Who could?
29:17.479 --> 29:21.750
Nevertheless, Esther kept the rest of the core
sisterhood together.
29:22.319 --> 29:26.719
She believed so passionately in her most
notable creation.
29:28.150 --> 29:33.369
When the women's Haggadah was published in Ms.
Magazine in 1977,
29:33.819 --> 29:40.780
it inspired women everywhere to make their own
seders in order to include larger numbers.
29:40.939 --> 29:45.219
Some women held mass seders like the popular
Mayan Seder.
29:46.260 --> 29:52.420
With her weaving of women, you were drawn
together in a way you could call a community
29:52.420 --> 29:55.589
because without her it doesn't really exist.
29:56.729 --> 30:03.599
The reason Esther was so effective in changing
Jewish women's minds was because
30:03.599 --> 30:06.589
she took Judaism so seriously.
30:06.920 --> 30:12.239
It was not a trivial matter for her to change
the language of prayers or to rethink the
30:12.239 --> 30:13.869
meaning of biblical stories.
30:14.199 --> 30:19.349
She did it with the most profound respect and
seriousness, and for that reason,
30:19.400 --> 30:25.760
I think she was able to reach Orthodox women
who scorned the rest of us as frivolous.
30:25.895 --> 30:32.564
Indeed, Esther the poet rewrote that
Haggadah deeply and seriously and
30:32.564 --> 30:38.604
poetically and turned it into wonderful
language that transfixed us all as we
30:38.604 --> 30:40.094
participated in it.
30:40.444 --> 30:42.375
That's a literary creation.
30:42.685 --> 30:44.834
The power is in literature.
30:46.849 --> 30:52.079
Women's literature, by and large, addresses
itself to that which is daily.
30:53.489 --> 30:57.520
Uh, to that which comes from the home and
outward, uh,
30:57.689 --> 31:00.989
men's literature very often deals with the war
out there.
31:01.170 --> 31:04.010
It's women's literature like Marante deals with
the war.
31:04.089 --> 31:09.819
It deals with the civilians in history, for
instance, so that it's
31:10.550 --> 31:17.229
familial, uh, it's ordinary and it's the
ordinary becoming heroic that women's
31:17.229 --> 31:23.859
literature is about.
It's about conquering the daily,
31:24.150 --> 31:26.380
not going out and conquering territory.
31:29.119 --> 31:33.170
Esther brought a unique poetic style to the
liturgy of the Seder.
31:34.079 --> 31:39.170
That same magical storytelling could be heard
in all her literary output.
31:42.239 --> 31:43.459
The women gathered.
31:45.199 --> 31:47.469
For the ceremony, they giggle nervously.
31:47.920 --> 31:49.229
What should it be called?
31:49.630 --> 31:50.709
Hymenectomy?
31:50.910 --> 31:52.989
No, that sounds like an appendectomy.
31:53.599 --> 31:55.880
It sounds like you're getting rid of your uncle
Hyman.
31:57.930 --> 32:01.280
I laughed at a lot of it.
It opened my eyes to a lot of things.
32:01.400 --> 32:03.079
I bristled at some of it.
32:03.489 --> 32:07.560
Um, she was a little too caustic in some, in
some parts of it,
32:07.849 --> 32:14.260
but on the whole I think I started to fall in
love with Esther Broner when I read A Weave of
32:14.260 --> 32:19.969
Women.
Cut it, says Terry, against all vestigial
32:19.969 --> 32:23.209
structures, political and physical.
32:24.540 --> 32:27.180
Gerda is swift.
The hymenal membrane is pierced.
32:27.959 --> 32:30.349
The baby starts and wails.
32:30.550 --> 32:32.300
There's a loud sigh from the group.
32:32.550 --> 32:35.619
Tova, the actress, says, now you are one of us.
32:35.989 --> 32:39.189
Terry, the godmother says.
May all orifices be opened.
32:40.119 --> 32:45.400
Dahlia the singer says, may she not be
delivered intact to her bridegroom or judged by
32:45.400 --> 32:50.140
her hymen.
DD, the Irish girl from America says,
32:50.359 --> 32:54.290
may she never suffer again from piercing of the
body or of the heart.
32:55.410 --> 32:59.099
I would be able to identify.
32:59.829 --> 33:04.640
A passage of Esther's, um, completely out of
context.
33:05.449 --> 33:11.869
Uh, which is to me the mark of, uh, or
certainly one of the,
33:11.880 --> 33:14.839
the indications of a really authentic voice.
33:16.839 --> 33:21.599
My accordion pleated navel.
I hate my navel accordion pleated because of
33:21.599 --> 33:28.310
Lena stretch marks on the sides of my hips, one
on each hip like white stripes down uniforms.
33:28.339 --> 33:30.500
I hate those.
Those are from Lena.
33:31.000 --> 33:32.229
Do you hate Lena?
33:32.479 --> 33:34.199
Oh no, that's not allowed.
33:36.949 --> 33:40.099
Her voice is in every line.
It's quirky.
33:40.390 --> 33:42.780
She's got different rhythms than most people.
33:43.150 --> 33:48.380
Um, there's a kind of a whisper, the same sort
of whisper that was in her voice in her fiction,
33:48.510 --> 33:50.540
almost as if she's letting you in on a secret.
33:52.579 --> 33:55.550
Hair.
All that hair I hate.
33:55.819 --> 34:00.319
Hair on upper lip, faintly there, long stiff
hairs on chin,
34:00.540 --> 34:02.050
wild hair on my head.
34:02.770 --> 34:07.650
Has my pubic hair, bushy curly forest, primeval
forest.
34:07.859 --> 34:11.169
People look at the top of my head and know
what's down below.
34:13.790 --> 34:16.310
A Grace Paley sentence.
You know a Grace Paley sentence,
34:16.419 --> 34:19.090
a Joan Didion sentence.
You know a Joan Didion sentence.
34:19.340 --> 34:21.969
I feel like with Esther, not so much the
sentences, but the,
34:22.330 --> 34:26.699
the larger pieces.
If I just picked one up on a piece of paper
34:26.699 --> 34:29.810
that was blowing down the street, I think I
would read it and say this is Esther.
34:29.860 --> 34:30.889
This must be Esther.
34:31.260 --> 34:33.850
What color do you associate with Esther?
34:34.100 --> 34:37.500
Orange, purple, red, purple.
34:39.120 --> 34:45.070
She dressed very distinctively as though life
were too short to waste it on drabness.
34:46.060 --> 34:52.770
Esther made up, you know, rituals that did
indeed have universals in them,
34:52.889 --> 34:58.449
but each one was really created for the
occasion and for the person.
34:58.820 --> 35:01.540
I always told her she should have a business
rituals to go.
35:03.979 --> 35:05.449
That we will bless this room.
35:06.399 --> 35:08.989
For we're all together at this time.
35:10.090 --> 35:11.360
At this place.
35:12.120 --> 35:18.639
And in this season, she was an extraordinary
creator of new
35:18.639 --> 35:23.040
ritual that saw into the heart of a matter.
35:27.250 --> 35:31.520
Well, I'm not sure that Esther went much of
any place without a wand or a miracle,
35:32.250 --> 35:38.770
so I first met Esther Broner at Gloria
Steinem's house at a dinner that Gloria had
35:38.770 --> 35:45.729
called in a break in her work, so she invited
me and Esther Broner and Marilyn French to
35:45.729 --> 35:50.929
dinner, and we sat down at, I don't know, 7,
7:30 or something like that,
35:51.010 --> 35:55.159
and we got up at 3 a.m.
And we then formed what we called from that
35:55.159 --> 35:56.449
point on our coven.
35:56.879 --> 36:03.129
And met four times a year at least for the next 20
years and the purpose of all of that
36:03.439 --> 36:09.379
getting together was to evaluate our lives, to
get feedback on what we were doing right or
36:09.379 --> 36:13.010
wrong, and then for Esther to lead us in
chanting.
36:13.219 --> 36:17.419
So we would repeat it, repeat it, and shake
wands over her head and so on and so on and
36:17.419 --> 36:21.129
laugh and carry on in order to cast a spell.
36:21.780 --> 36:27.020
Once I thought I can't remember who, somebody was in trouble and she, I thought any minute
she's gonna kill a chicken and pour her blood
36:27.020 --> 36:33.939
blood into a glass and wrap, run it
around with a feather and say drink it.
36:33.939 --> 36:39.979
I mean, it was like voodoo. What, how much different was
it than, uh, the witches, the witches.
36:39.979 --> 36:43.250
It was than the witches, the witches.
36:44.100 --> 36:50.219
Some of what we'll do is bless the baby first.
We will encapsulate her and say.
36:54.330 --> 37:00.679
Knock it.
A prayer from the baby.
37:01.739 --> 37:07.729
I think Gloria and Carol Jenkins, they speak
tenderly and with affection about being witches
37:07.729 --> 37:10.409
together.
In other words, it was a consciousness raising
37:10.409 --> 37:14.959
group.
May your mothers be your models and your
37:14.959 --> 37:17.070
grandmother, your icon.
37:17.959 --> 37:23.199
Made people happy with her feathers and her
sparkles and her wands and there was always
37:23.199 --> 37:28.429
some way that Esther had of making the ordinary
special.
37:30.290 --> 37:34.159
I think we are present at birth.
It is up to us to have the words of birth.
37:34.409 --> 37:37.010
We are the ones who usually prepare the body
for death,
37:37.489 --> 37:40.919
not the undertakers.
It is up to us to say the words of death.
37:41.110 --> 37:43.040
I think we must not give our words away.
37:46.090 --> 37:52.560
It was not the ritual-making part of her, it
wasn't the spiritualism that I cared about, but
37:52.560 --> 37:54.949
it was the genuineness. It was her genuineness.
37:55.770 --> 37:59.500
I was working on a book and I was having a
terrible time with it,
38:00.050 --> 38:03.100
but I didn't know
what to do with it, so I, I was sitting there
38:03.100 --> 38:06.370
for six months and, uh, not knowing what the hell
to do,
38:06.580 --> 38:11.649
she said to me, come to me on Sunday and bring
two pages.
38:11.739 --> 38:17.939
I don't want to discuss it and, and, and
unbelievably it made me write two pages and I
38:17.939 --> 38:23.739
went to her on Sunday with the, with, with the
whole whatever I had plus the two pages and
38:23.739 --> 38:28.889
she said, uh, this is just wonderful, marvelous,
wonderful.
38:29.139 --> 38:30.649
I said, no kidding, really.
38:31.800 --> 38:38.679
And in that way I went to her for an entire
winter, every single Sunday with my
38:38.679 --> 38:41.479
two pages.
She wasn't teaching me how to write this book.
38:41.560 --> 38:47.120
She was just teaching me how to get through it.
Esther was sort of like a rock in an
38:47.120 --> 38:49.800
otherwise calm sea.
I mean, I'm mostly in the
38:49.909 --> 38:56.820
pretty calm, controlled sea that every now and
then gets an upheaval and there are waves and
38:56.820 --> 39:00.080
there's currents and suddenly I need to cling
to a rock.
39:00.260 --> 39:02.209
She would be the rock I would swim to.
39:02.500 --> 39:07.780
I was just totally frazzled once and I could
not handle everything that was being asked of
39:07.780 --> 39:14.610
Me and Esther said, come down to the loft and
she unrolled a big
39:14.610 --> 39:18.610
bolt of butcher paper and had me lie down on it.
39:19.260 --> 39:23.250
She took a huge magic marker and she outlined
my body.
39:23.600 --> 39:28.250
I got up and I looked at my outline and she
said, you have borders.
39:28.540 --> 39:33.340
I want you to remember you have boundaries and
you can establish them.
39:33.540 --> 39:35.929
You can say no, you have boundaries.
39:37.080 --> 39:43.250
Well, Esther came through for people in ways
that were just right for them at moments when
39:43.250 --> 39:44.250
they needed it.
39:52.679 --> 39:56.399
If she had been created as Adam's equal and not
been considered a
39:56.399 --> 40:07.000
temptress,
40:07.010 --> 40:10.879
dying, if she, if our fathers had not pitted
our mothers against each other like Abraham
40:10.879 --> 40:14.239
with Sarah and Hagar or Jacob with Leah and
Rachel.
40:18.939 --> 40:22.020
All people need their history, their mythos.
40:22.290 --> 40:24.050
Women may need it most of all.
40:25.580 --> 40:32.060
Our revolution is to go to the sources and
bring the idea of the exodus of
40:32.060 --> 40:38.939
women, the importance of women, and the
importance of Miriam.
40:39.760 --> 40:41.560
As our prophet.
40:42.459 --> 40:47.199
And me.
Of
40:51.830 --> 40:57.449
the timber.
And let the women down.
40:59.169 --> 41:05.229
To the sea.
And there
41:07.360 --> 41:14.000
Esther Brower set out to create a new tradition
to tell of the Prophet Miriam,
41:14.239 --> 41:17.350
sister of Moses, who watched over him.
41:18.040 --> 41:20.070
She organized the people.
41:20.719 --> 41:25.649
We women have taken an ancient account and made
it our very own.
41:27.169 --> 41:32.129
Instead of the prophet Elijah, we sing of the
Prophet Miriam.
41:34.129 --> 41:38.550
We can think about God in a kind of a female
way, right?
41:38.669 --> 41:41.899
We can, we can think of God as giving birth to
the world.
41:42.110 --> 41:44.860
We can think of the liberation as having
included women.
41:45.149 --> 41:51.060
Miriam can take her rightful place among her
siblings and the people she leads.
41:51.790 --> 41:58.179
All the preparation of the altar and all the
honoring and in the fighting of the men up to
41:58.830 --> 42:00.550
the top of the mountain.
42:01.800 --> 42:05.209
Uh, there was no place for Miriam.
42:05.629 --> 42:10.870
Aaron, his sons, and 70 elders of the tribe
were invited to the top of the mountain,
42:11.239 --> 42:15.389
but nobody made a robe for Miriam.
No one invited her up the mountain.
42:15.959 --> 42:20.449
Miriam gets short shrift in general that we
don't have very much of her story.
42:20.600 --> 42:24.929
She's an equal partner with Moses in the Torah,
singing the Song of the Sea.
42:25.199 --> 42:30.360
Many, many people now put Miriam's cup on the
table filled with water, because she was the
42:30.360 --> 42:35.179
woman of water.
I want us to think about the Miriams who led us.
42:36.120 --> 42:43.080
Uh, out of Mitzrayim, or the Miriams who bore us,
uh, the Miriams who took
42:43.080 --> 42:44.350
us across the water.
42:44.639 --> 42:49.590
I want to honor some women that are the
mothers of handicapped children.
42:49.879 --> 42:52.860
They're Miriams.
They really are Miriams, and they were,
42:52.919 --> 42:57.679
they were wonderful with these children.
It's easy to be wonderful when you got great
42:57.679 --> 43:03.510
beautiful children, you know, but when you got
kids that nobody wants to look at,
43:03.669 --> 43:04.870
it's really hard.
43:06.159 --> 43:10.030
They did it, so I want to put them in the middle
and blast them.
43:11.010 --> 43:16.719
Uh, we saw her role of leading the women in
song and dance and the finder of water in the
43:16.719 --> 43:21.500
desert.
We saw that role as so, so emblematic of,
43:21.520 --> 43:24.800
of women's creativity, and we celebrated it.
43:27.239 --> 43:32.399
In the name of ritual, we can do anything; we can
do astonishing acts.
43:37.550 --> 43:40.520
Sina knows the song they are singing.
Her heart lightens.
43:40.709 --> 43:44.709
Her voice rises in song.
She does not notice the religious policewoman
43:44.709 --> 43:46.939
who's thrown a schmata rag over her head.
43:47.350 --> 43:50.360
The dancing men stop.
Who is singing, thunders the rabbi.
43:50.429 --> 43:53.219
It is forbidden for a woman's voice to be
raised in song.
43:54.659 --> 43:58.770
When her father died, she loved him so much,
and she wanted to honor him.
43:59.100 --> 44:04.459
She wanted to say Kaddish every day for a year,
which was rare for a woman to do.
44:04.820 --> 44:07.370
He wanted a Kaddish, a daily prayer.
44:08.379 --> 44:13.179
I have two brothers, but I, as the eldest, did
not want to give that over to them.
44:13.830 --> 44:18.909
To do that, she had to find an Orthodox minyan,
but the Orthodox minyanim that she found
44:18.909 --> 44:21.419
wouldn't allow a woman to participate.
44:21.709 --> 44:28.020
She finally found one that allowed her to stand
behind a plastic shower curtain.
44:28.389 --> 44:33.620
The fact that she chose an Orthodox synagogue
in which to recite Kaddish for her father
44:34.739 --> 44:37.870
expressed the connection that she felt to the
tradition.
44:38.580 --> 44:42.739
Uh, which she never really turned her back on
even as she went far beyond it.
44:43.889 --> 44:47.280
That mechitza, that separation, became my great
oppression.
44:48.209 --> 44:54.770
At first it was on a clothes rack, then they
hung it as a sort of cheap lace curtain
44:54.770 --> 44:56.489
made from golden threads.
44:58.770 --> 45:04.989
It was so demeaning and so painful to her every
day to be treated like an
45:04.989 --> 45:07.639
Impostor, as she very seriously said,
45:07.639 --> 45:19.500
Kaddish.
45:19.500 --> 45:19.659
for her father.
Hirotejali Mahu Behaihoha.
45:19.669 --> 45:22.120
I sent out an SOS, and I said,
45:22.889 --> 45:27.360
Dear mates, I have such a longing to extend
beyond myself,
45:27.530 --> 45:29.840
to not just be a small shadow here.
45:30.209 --> 45:33.399
Please come to me and help us have a minyan of
women.
45:35.330 --> 45:42.030
Her experience of encountering the Orthodox
minyan every morning was that she could be reverent,
45:42.030 --> 45:48.669
and irreverent; she could sort of bait some of
the men, and yet she could just walk away from a
45:48.669 --> 45:53.100
confrontation, and she could be religious and
sacrilegious.
45:53.350 --> 45:58.949
She had all these experiences sitting there, as
she remembered her father with great love.
46:03.199 --> 46:07.540
The other great significant man in Estra's life
was her husband, Bob.
46:08.550 --> 46:14.590
They were both highly respected artists who
loved their craft and continued working as long
46:14.590 --> 46:20.679
as they could.
Bob worked until his illness made it impossible.
46:28.560 --> 46:35.419
Their art was what brought them so much joy and
drive and passion, that that
46:35.419 --> 46:37.620
was really, I think, the focus of their lives.
46:40.419 --> 46:45.780
I think to understand these drawings is to
understand that my father was first and
46:45.780 --> 46:47.320
foremost an artist.
46:48.149 --> 46:49.439
And loved technique.
46:50.919 --> 46:52.620
He drew what he saw.
46:53.709 --> 46:58.810
He struggled, obviously, with this diagnosis of
Parkinson's.
46:59.260 --> 47:06.139
Dad had gotten more sick, and she wanted him to
know no
47:06.139 --> 47:12.820
matter what, that with all of this she
would recommit.
47:14.439 --> 47:17.239
And maybe she needed his recommitment.
47:18.209 --> 47:20.199
And so they asked me to throw them a wedding.
47:25.600 --> 47:32.159
While she was not only the love of his life,
but the reason he lived several additional
47:32.159 --> 47:36.389
years, he talked about how he could not.
47:37.280 --> 47:40.239
yet leave this world where he saw her face
every day.
47:41.270 --> 47:48.250
Even at the very end of Bob's sad, drawn-out
illness, Esther was still
47:48.790 --> 47:54.030
incredibly devoted and romantic.
To the very end,
47:54.550 --> 47:57.060
she was romantic about her Bobby.
47:58.989 --> 48:05.540
What we decided to do was everything they
didn't have in 19 January 18,
48:05.590 --> 48:11.060
1948: all the things they couldn't afford or
were rebellious about.
48:11.669 --> 48:17.790
So for this wedding, she wanted white but a
Mexican wedding dress with color.
48:22.560 --> 48:29.370
Yes, it was her idea, but again, you know, my
father would be the first to tell you
48:29.580 --> 48:33.689
that he's not gonna be the person that's gonna
say let's go to this party,
48:34.219 --> 48:37.169
but it's always a good idea that she took him
to the party.
48:38.030 --> 48:44.889
Um, and so indeed she was the mover
and the person of action in the relationship.
48:45.300 --> 48:46.340
And he was her rock.
48:57.199 --> 49:01.270
Ritual takes the chaos of the world and gives
it shape,
49:01.479 --> 49:03.919
order, and form.
49:07.989 --> 49:12.219
The sacred schmata originated in the Seder group.
49:12.510 --> 49:18.469
It was tacky pink chiffon or something tied
together in a long rope.
49:18.580 --> 49:24.120
All the women would hold on to it and circle
everybody at the end of the Seder.
49:26.330 --> 49:32.939
In 1984 there was a gathering of leaders of the
world's major religions at the foot of Mount
49:32.939 --> 49:37.479
Sinai where Moses had received the 10
Commandments.
49:37.790 --> 49:43.510
These leaders met in the hope of symbolically
making peace between Jews and Muslims in the
49:43.510 --> 49:47.870
Middle East.
All world religions were represented.
49:48.399 --> 49:52.989
Even Buddhism and Shinto and, of course,
Muslim and Christian,
49:53.439 --> 49:58.070
everyone, and Lily and Esther were representing
the feminist religion.
49:58.879 --> 50:05.780
And I brought it to the top of Sinai, and we
tied people around, asking Egyptians and
50:05.780 --> 50:09.860
Israelis to make peace, and they brought the
schmata with them.
50:10.189 --> 50:13.110
They used it on Mount Sinai, and brought it back
to the Seder group.
50:13.189 --> 50:20.070
So it became an absolutely sacred part of the
ritual that we would end the Seder
50:20.070 --> 50:24.469
every year by stretching this around the whole
group.
50:26.040 --> 50:30.830
It was always just an incredible blessing and a
sacred moment.
50:33.989 --> 50:38.929
Today, hundreds of women's Seders are taking place
all over the world.
50:39.790 --> 50:45.580
They may not know or remember the woman who
started it all in 1976.
50:46.229 --> 50:49.389
Recognition is always a struggle for women.
50:50.290 --> 50:56.870
It took 17 years before Esther finally got her
women's Haggadah published by Harper San
50:56.870 --> 50:59.780
Francisco in 1994.
51:00.070 --> 51:01.800
She was a true artist.
She worked.
51:01.830 --> 51:03.600
She never stopped writing.
51:03.899 --> 51:07.500
Whether she was published or not, paid or not,
recognized or not,
51:07.790 --> 51:09.899
she stuck to her vision, and she wrote.
51:10.270 --> 51:14.469
She paid a high cost.
She never had money and she rarely had her
51:14.469 --> 51:16.520
moments of fame, so gradually.
51:17.270 --> 51:22.219
As the years went on, and she saw herself
eclipsed, the satir took its place.
51:22.310 --> 51:23.899
It was her moment of glory.
51:24.310 --> 51:28.949
Her creativity shone, and we all looked up
to her so much.
51:28.969 --> 51:32.510
And it was a very notable event in the year.
51:33.679 --> 51:37.780
She worked so hard on it; she invested so much
in it.
51:37.790 --> 51:39.800
It really became her.
51:40.479 --> 51:44.260
The stage upon which she was able to really,
you know,
51:44.310 --> 51:45.580
be center stage.
51:45.870 --> 51:49.100
I think she gloried in that moment, and why not?
51:49.429 --> 51:54.620
Artists have to have a certain amount of ego to
do what they do and to live so precariously.
51:54.989 --> 52:00.989
It was so important to Esther, and it became
increasingly so over the years.
52:03.770 --> 52:06.830
But there were, but it became a performance
piece.
52:10.649 --> 52:11.969
Not the last year.
52:12.250 --> 52:13.479
The last year was.
52:14.629 --> 52:19.899
Was the intimate, powerful, uh, vulnerable, um.
52:21.850 --> 52:27.379
Profound, uh, event, I think, that touched all of
us who sat at that table that night.
52:29.310 --> 52:35.459
To create a community around Esther when she
was sick and dying—that was a weave of women.
52:35.790 --> 52:42.709
And it was, if you imagine what it's like to
actually weave and take one strand
52:42.709 --> 52:47.899
at a time, put them together and create
something that can support a tremendous weight,
52:48.469 --> 52:50.939
that's what happened around Esther's illness.
52:51.189 --> 52:53.159
I never saw anything quite like it.
52:53.590 --> 52:56.709
There was an email list; I think 30 people were
on it.
52:57.250 --> 53:01.129
We all were kept abreast of her condition.
We were all told when we couldn't, couldn't
53:01.129 --> 53:04.679
visit, when she was strong enough to maybe take
two a day or three a day.
53:05.939 --> 53:10.959
That sort of community, which social networking
and email made possible,
53:11.800 --> 53:18.280
first required a mindset, and that mindset is
something that Esther created, and we
53:18.280 --> 53:20.189
all reciprocated.
53:21.000 --> 53:23.310
It was Esther's last Friday night.
53:24.120 --> 53:29.070
Her granddaughter Alexandra was in London on a
study program.
53:29.679 --> 53:33.229
We were all coming and going from around her
hospital bed.
53:33.479 --> 53:38.000
Uh, Esther was breathing in a labored way.
53:39.149 --> 53:44.010
The family was at her bedside, along with Gloria
and myself.
53:44.909 --> 53:48.580
Nahama placed a laptop on Esther's stomach.
53:48.939 --> 53:52.010
There was Alexandra on the screen.
53:52.939 --> 53:56.850
Suddenly, there was grandmother and
granddaughter together.
53:57.860 --> 54:02.709
My mom realized that she had forgotten to ask
the school to send a rabbi or something to do
54:03.020 --> 54:09.860
um, any kind of service for Shabbat, um, and so
she called me, and I could connect with
54:09.860 --> 54:16.620
her from so far away. In times like that, really
all you can do is pray, and so
54:16.620 --> 54:23.590
I sang. Oh.
54:27.639 --> 54:32.030
I.
On
54:36.689 --> 54:37.689
I.
54:45.620 --> 54:48.050
I don't think of myself as a pioneer.
54:48.489 --> 54:54.139
I think of myself as trying something, and it
wasn't accepted.
54:55.050 --> 54:57.719
When I wrote about it, it wasn't accepted at
all.
54:58.129 --> 55:03.540
I was booed at some synagogues, so, uh, that's
it.
55:03.679 --> 55:10.489
That's an interesting way to start something
that will last forever: through disregard.
55:13.219 --> 55:19.860
And I'm in love with all these women, so that's
the best
55:20.179 --> 55:26.000
thing of all.
Hi Kael.
55:26.959 --> 55:33.080
Hi Kadesh.
Esther Broner died on June 21,
55:33.629 --> 55:36.050
2011.
55:38.620 --> 55:45.270
I brought a stone from our trip to Mount Sinai
55:45.560 --> 55:47.500
and placed it in her grave.
55:47.800 --> 55:51.280
I was one of those souls whose life she touched.
55:51.879 --> 55:54.550
She was the mother of us all.
56:04.750 --> 56:11.659
I think Esther's greatest legacy is her
legitimization of alternative rituals.
56:11.750 --> 56:17.139
The fact that you could borrow from tradition
and utilize all the feeling and all the
56:17.139 --> 56:22.139
sacredness of it and make it relevant to women,
I think has been a gift to all of us.
56:24.219 --> 56:29.100
I mean, sometimes you have to stop and
think why somebody would, but Esther
56:29.929 --> 56:32.070
was 100% unique.
56:33.129 --> 56:35.639
She stepped over boundaries.
56:36.669 --> 56:43.449
But in time, and because of her, those boundaries
shifted and the things that she
56:43.449 --> 56:49.050
taught us became acceptable.
I think a lot of orthodox homes have brought in
56:49.050 --> 56:53.840
ritual where they would not have, you know, had
she not begun that process.
56:55.040 --> 56:59.629
I'm not so sure whether women would know that
it came from Esther Broner.
57:02.020 --> 57:04.340
That's sort of the injustice of it.
57:06.810 --> 57:10.239
Are we revolutionizing this big Jewish world
from within?
57:10.340 --> 57:11.459
I don't think so.
57:11.830 --> 57:14.100
Have we touched the lives of many people?
57:15.070 --> 57:19.459
Yes, the women's theater will never be the same
without my grandma,
57:19.709 --> 57:23.540
but I think she expected it to go on.
That's what the women's theater was really
57:23.540 --> 57:26.310
about too.
She was passing on the torch to all of us
57:26.310 --> 57:31.909
individually and collectively, and I think that
that is one thing I feel an obligation to carry
57:31.909 --> 57:36.590
on and to bring to my generation, and one day
having my own women's theater.
57:39.719 --> 57:42.120
I will go with you.
57:43.909 --> 57:46.300
Through the desert, and then
57:47.000 --> 57:49.169
I will be immersed with you.
57:51.419 --> 57:52.780
I will be part of you.
57:55.050 --> 57:56.739
I, I will be with you forever.
57:57.989 --> 58:01.899
Amen, you will be, you will be. Amen.
58:03.830 --> 58:10.600
Well, we have concluded the Passover Seder in
the new tradition, and we fly homeward to the on
58:10.600 --> 58:14.620
the, yeah.
58:19.909 --> 58:22.399
I, um...
58:27.120 --> 58:28.840
and my...
58:34.149 --> 58:35.149
Uh.
58:42.139 --> 58:43.139
Um.
59:11.489 --> 59:14.459
Esther exploded into my life like a star.
59:15.219 --> 59:18.300
He was exploding, and there were shards of light.
59:41.629 --> 59:48.219
We were both teaching, and Esther, of course,
had that inimitable laugh in the, um, lunchroom.
59:48.219 --> 59:52.590
Because she was always telling fabulous stories,
and of course I gravitated to her table.
01:00:06.820 --> 01:00:12.040
I am.
I wasn't a totally irreverent secularist,
01:00:12.489 --> 01:00:15.070
and she always laughed.
01:00:15.570 --> 01:00:17.399
She always laughed at it, right?
01:00:17.610 --> 01:00:19.729
I would always say, oh, what is this God
nonsense?
01:00:19.770 --> 01:00:21.020
And she would laugh.
01:00:31.300 --> 01:00:37.669
An extraordinary capacity to make you feel that
you were one of the most important
01:00:37.820 --> 01:00:42.540
people in her life, if not the most important
at that moment.
01:00:51.510 --> 01:00:58.300
How can we imitate Esther's?
It was, it was this wild, witchy cackle.
01:00:58.429 --> 01:01:02.959
It was very, very infectious, and it was very
wholehearted.
01:01:03.090 --> 01:01:06.429
I, I don't think I could ever imitate it.
I wish I could.
01:01:10.560 --> 01:01:14.429
And she waved her hands like that, didn't she?
01:01:15.580 --> 01:01:20.360
Oh, I'm not doing her justice, but that's as
close as I can come.